Paul E Nelson presenting at Cascadia Poetry Festival 8, photo by Leszek Chudzinski
“Paul formally received the Mahayana precepts of Zen Buddhism in 2023, becoming a lay practitioner within the tradition, but I believe he had long lived in accord with them. His poetry, in its sensitivity, its humility, and its deep listening, embodies practice-realization — the understanding that practice and awakening are not separate. His writing was his zazen. This collection, FLEXIBLE MIND, is more than a book. It is a continuation of that practice. A testament to a man who lives by attention, who bows to language but does not cling to it, who seeks what lays beyond words by walking straight into them.”– Kosho Itagaki, Soto Zen Priest
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520. Devil Wrestling
It seems as if “demons” or the “devil” is a thread that ran through this year’s fest for me. “Nafsu” is a related Indonesian word that might better be better translated as “lower forces.” Not...
Southern Cascadia Poet Jerry Martien
In September 2015 I had the chance to interview a poet and long-time bioregionalist Jerry Martien on the waterfront in Eureka, California. With Jim Dodge, he's one of the two poets from extreme...
34. Eighty-Seven Remarkable (or Fun) Things about Paul E Nelson Sr. &/Or Charles Olson on What Would’ve Been their 87th &/or 105th Birthdays, Dec 27, 2015.
34. Eighty-Seven Remarkable (or Fun) Things about Paul E Nelson Sr. &/Or Charles Olson on What Would’ve Been their 87th &/or 105th Birthdays, Dec 27, 2015. A remarkable thing is that Pop...
How does one make literary art about this time in history that avoids rhetoric and facile political positioning in this era of the spectacle? How does one avoid being consumed by the simultaneous collapse of so many systems — some being eviscerated by people in positions designed to protect such systems? Deborah Poe has some idea based on her submission to the upcoming anthology Winter in America (Still.
Deborah is the author of several books of poetry including keep, Elements, and Our Parenthetical Ontology, as well as a novella in verse, Hélène. Her visual works–video poems and handmade book objects–have been exhibited throughout the US. She lives on stolen Coast Salish land, specifically the ancestral homeland of the Duwamish, Suquamish, Stillaguamish, and Muckleshoot People.
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