Paul E Nelson presenting at Cascadia Poetry Festival 8, photo by Leszek Chudzinski
Paul Nelson’s ongoing honing of the Day Song poetry event has produced some of the most lively and consequential verse of our time. How else write about the calamities and demands and mental/emotional/political consequences of the materialist apocalypse upon us, than an ongoing poesis of awareness and participation the anti-form the Day Song provides? Truly a praxis of proprioception and of Olson’s demand to “keep it moving…
– Sharon Thesen, Cascadian Poet/Scholar from B.C.
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Audio from King’s Books 3.13.15
I am grateful to Connie Walle for inviting me to be a featured reader at the Distinguished Writer's Series in Tacoma. I did it last Friday, March 13, 2015 and was delighted to see many long-time...
After The Japanese 45-48
The latest in this series of poems written in 2014 and archived here cover ground from Lorine Niedecker, to Michael McClure, to Amalio Madueño (Garcia), to Vincent Van Gogh and were also written in...
Margin Shift Reading Series
It has been described by one Seattle writer as a reading series that leans toward: "the academic, conceptual and slightly Canadian." It is Margin Shift, a new poetry reading series run by a...
How does one make literary art about this time in history that avoids rhetoric and facile political positioning in this era of the spectacle? How does one avoid being consumed by the simultaneous collapse of so many systems — some being eviscerated by people in positions designed to protect such systems? Deborah Poe has some idea based on her submission to the upcoming anthology Winter in America (Still.
Deborah is the author of several books of poetry including keep, Elements, and Our Parenthetical Ontology, as well as a novella in verse, Hélène. Her visual works–video poems and handmade book objects–have been exhibited throughout the US. She lives on stolen Coast Salish land, specifically the ancestral homeland of the Duwamish, Suquamish, Stillaguamish, and Muckleshoot People.
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