Paul E Nelson presenting at Cascadia Poetry Festival 8, photo by Leszek Chudzinski
Paul Nelson’s ongoing honing of the Day Song poetry event has produced some of the most lively and consequential verse of our time. How else write about the calamities and demands and mental/emotional/political consequences of the materialist apocalypse upon us, than an ongoing poesis of awareness and participation the anti-form the Day Song provides? Truly a praxis of proprioception and of Olson’s demand to “keep it moving…
– Sharon Thesen, Cascadian Poet/Scholar from B.C.
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The Sacramental Aspect of Habitation
“And that is what a poet Is, children, one who creates Sacramental relationships That last always.” - Kenneth Rexroth Aside from the signature, this is how Rexroth ended his epistle “Letter to...
Happy Birthday Danika Dinsmore
A happy birthday today to SPLAB Co-Founder Danika Dale Dinsmore, who co-founded the SPLAB project with me in 1997 (not to be confused with the organization that now uses SPLAB as its name.) In her...
Hillman City Haibun (Walkin’, Lichen)
As I noted in my last haibun post, walks = poetry. If you do not get a poem when walking, you have not walked long enough. Ask Charles Reznikoff, who was well-known for taking walks of 15 to 20...
How does one make literary art about this time in history that avoids rhetoric and facile political positioning in this era of the spectacle? How does one avoid being consumed by the simultaneous collapse of so many systems — some being eviscerated by people in positions designed to protect such systems? Deborah Poe has some idea based on her submission to the upcoming anthology Winter in America (Still.
Deborah is the author of several books of poetry including keep, Elements, and Our Parenthetical Ontology, as well as a novella in verse, Hélène. Her visual works–video poems and handmade book objects–have been exhibited throughout the US. She lives on stolen Coast Salish land, specifically the ancestral homeland of the Duwamish, Suquamish, Stillaguamish, and Muckleshoot People.
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