Paul E Nelson presenting at Cascadia Poetry Festival 8, photo by Leszek Chudzinski
“Paul formally received the Mahayana precepts of Zen Buddhism in 2023, becoming a lay practitioner within the tradition, but I believe he had long lived in accord with them. His poetry, in its sensitivity, its humility, and its deep listening, embodies practice-realization — the understanding that practice and awakening are not separate. His writing was his zazen. This collection, FLEXIBLE MIND, is more than a book. It is a continuation of that practice. A testament to a man who lives by attention, who bows to language but does not cling to it, who seeks what lays beyond words by walking straight into them.”– Kosho Itagaki, Soto Zen Priest
POPO Birthday Bounty
I'm a little stunned by the amount of birthday wishes I am getting for my 59th and it seems a perfect day to share THE CARDS I GOT. Each year I create a photo or video of postcards I have received...
COVID-19 Sonnet
Since the beginning of 2019 I have been writing "prose sonnets" Matt Trease calls them. 14 line prose poems often with an epigraph and sometimes three. I saw the form first in the work of Jack...
Article on American Sentences
Huge thanks (again) to Tim Green of Rattle Magazine who wrote about my practice of American Sentences for The Press-Enterprise in Riverside, California. The article is called: I love how Tim changes...
9.11.2020 American Sentence
9.11.2020 - He's at the boat launch pier, w/ rod & reel, fishing for smoked salmon....
PEN POPO2020 Afterword (Postcards from the Pandemic)
In years past I have taken time on the 1st of September to write my POPO afterword. If felt like a ritual to end each extended August with a meditation on what I had done, followed by a photo or...
Iris Cushing on David Henderson and Mary Norbert Körte
Interview with Iris Cushing on The First Books of David Henderson & Mary Korte: A Research. Recorded via Zoom, Sunday, September 6, 2020, at 1pm PDT. In 1967, the first books of two poets were...
Prostate Cancer Update
I was asked by my local spiritual community, Subud Greater Seattle, for an update on my treatment for prostate cancer. An excerpt: I was diagnosed with prostate cancer on February 17, 2020 and had...
Poetics as Cosmology
Poetics as Cosmology (Intro to Spontaneous Composition) A six week online (Zoom) workshop for people who have had a little experience in spontaneous poetry composition and want more. Join SPLAB and...
Rattlecast #54 (Watch the Interview)
Back in March before we had a sense of how COVID-19 the novel Coronavirus would change our lives forever, Rattle Magazine's Tim Green invited me to sit down (via Skype) for an interview about my...
Buckminster Fuller
As a fan of the Black Mountain School of poetry, which was inspired by the revolutionary poetics of Charles Olson, the last rector of the famed outside educational institution in North Carolina in...
DaySong of Thoughtless Openness
I am still floating from my recent visit to British Columbia, which I took for a series of events centered around Cascadian Zen Volume I. Events at the Mountain Rain Zen Center in Vancouver, the...
Sam Hamill, Christopher Yohmei Blasdel Heart of Bamboo
I was delighted to see this note from Christopher Yohmei Blasdel: I'm thrilled to announce the streaming re-release of "Heart of Bamboo: Poetry and Music in the Zen Tradition," featuring the poetry...
Reading @ Butoh, Typewriter Poems in Bothell, Bradner Gardens
They're keeping me hopping this weekend and I'm delighted. Friday night at 7:30, I'll be reading poems at the home of Joan Laage and David Thornbrugh. It's an event called Homestage, featuring butoh...
How does one make literary art about this time in history that avoids rhetoric and facile political positioning in this era of the spectacle? How does one avoid being consumed by the simultaneous collapse of so many systems — some being eviscerated by people in positions designed to protect such systems? Deborah Poe has some idea based on her submission to the upcoming anthology Winter in America (Still.
Deborah is the author of several books of poetry including keep, Elements, and Our Parenthetical Ontology, as well as a novella in verse, Hélène. Her visual works–video poems and handmade book objects–have been exhibited throughout the US. She lives on stolen Coast Salish land, specifically the ancestral homeland of the Duwamish, Suquamish, Stillaguamish, and Muckleshoot People.
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