Paul E Nelson presenting at Cascadia Poetry Festival 8, photo by Leszek Chudzinski
Paul Nelson’s ongoing honing of the Day Song poetry event has produced some of the most lively and consequential verse of our time. How else write about the calamities and demands and mental/emotional/political consequences of the materialist apocalypse upon us, than an ongoing poesis of awareness and participation the anti-form the Day Song provides? Truly a praxis of proprioception and of Olson’s demand to “keep it moving…
– Sharon Thesen, Cascadian Poet/Scholar from B.C.
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Peter Culley’s Hammertown
The first moment I heard about Peter Culley's serial poem Hammertown, immediately I intuited that it was similar to what I was doing with A Time Before Slaughter. It would be a couple of years...
American Sentences May & June 2014
OK OK, here is my latest harvest of American Sentences. They are taken from the middle of March to today and though the time that my Father died in Chicago. Click here for the essay about the...
Red Sky Poetry Theater
It's odd how death makes us pause and reconsider our own lives. When my Father died, I got the hunch within a week or so to look at our bloodline and traced his maternal line to England in 1450. My...
How does one make literary art about this time in history that avoids rhetoric and facile political positioning in this era of the spectacle? How does one avoid being consumed by the simultaneous collapse of so many systems — some being eviscerated by people in positions designed to protect such systems? Deborah Poe has some idea based on her submission to the upcoming anthology Winter in America (Still.
Deborah is the author of several books of poetry including keep, Elements, and Our Parenthetical Ontology, as well as a novella in verse, Hélène. Her visual works–video poems and handmade book objects–have been exhibited throughout the US. She lives on stolen Coast Salish land, specifically the ancestral homeland of the Duwamish, Suquamish, Stillaguamish, and Muckleshoot People.
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