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PAUL E NELSON

Cascadia Poetry Festival 8 Paul E Nelson at the microphone

Paul E Nelson presenting at Cascadia Poetry Festival 8, photo by Leszek Chudzinski

Paul formally received the Mahayana precepts of Zen Buddhism in 2023, becoming a lay practitioner within the tradition, but I believe he had long lived in accord with them. His poetry, in its sensitivity, its humility, and its deep listening, embodies practice-realization — the understanding that practice and awakening are not separate. His writing was his zazen. This collection, FLEXIBLE MIND, is more than a book. It is a continuation of that practice. A testament to a man who lives by attention, who bows to language but does not cling to it, who seeks what lays beyond words by walking straight into them.– Kosho Itagaki, Soto Zen Priest

2018 Postcard Participation

293 people are registered for the 12th August POetry POstcard Fest in 2018. Included are participants from Alberta (1), Alabama (9), Arkansas (1), Arizona (1), British Columbia (1), California (26),...

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Postcard Impersonality

Reading Mark Gonnerman's book A Sense of the Whole: Reading Gary Snyder's Mountains and Rivers Without End I came to Tim Dean's essay on The Other Voice. In the essay he states that in his 40 year...

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Postcards in the Park

Two editors of 56 Days of August and two contributors gathered yesterday at the annual Poets in the Park event in Redmond, Washington. Ina Roy-Faderman, Your Humble Narrator, Joanna Thomas and Matt...

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Epistolary Poetry by Sam Hamill

I have been getting caught up on some of Sam Hamill's work since his death back in April. Last night reading from his 1981 book of "casual essays" or "over-the-shoulder" glances he titled At Home in...

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Planet Drum on Cascadia

The premier organization dedicated to the concept of bioregionalism is the Planet Drum Foundation, founded by Peter Berg and Judy Goldhaft. Their latest newsletter is out with a special offer that...

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Wanda Coleman 2002 Interview

Going through the SPLAB (IPiPP) audio archives thanks to 4Culture, I came across this interview I'd forgotten I had. Wanda Coleman from January 2002, first aired in February 2002. In it she talks...

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George Bowering 2005 Interview

I first met George Bowering at the Victoria School of Writing Summer School in 2005. It was the tenth anniversary of that summer school and since then has ceased operations. I had taken a weeklong...

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Poetry with Purpose

In planning for the Becoming Cascadian weekend May 31-June 3, 2018, the model used by my spiritual community (Subud) for its annual kejiwaan gathering is key. A very democratic affair in which there...

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Negative Capability in Painting

Negative Capability in Painting

I am delighted to have been accorded the pleasure of moderating a panel of painters on the subject of Negative Capability. Details:Gallery 110 will be hosting a panel discussion featuring Carol...

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Sam O'Hana April 16, 2025

The interview I conducted with Sam O’Hana, a Ph.D. student at CUNY, is immensely critical and immensely validating for the work we do at the Cascadia Poetics Lab. At its core, the discussion is about whether writing is for people of means, or if it can be people who have skill and something to say. It means the literary gatekeepers have failed us and have a role in perpetuating neoliberalism in North America which has paved the way for authoritarianism. The interview is available as a podcast here and as a YouTube video here. Below, I have pasted in the transcript and here is my introduction to Sam O’Hana and his topic.

Sam O’Hana on Opening Poetry to the Working Class

by Paul E Nelson