Paul E Nelson presenting at Cascadia Poetry Festival 8, photo by Leszek Chudzinski
“Paul formally received the Mahayana precepts of Zen Buddhism in 2023, becoming a lay practitioner within the tradition, but I believe he had long lived in accord with them. His poetry, in its sensitivity, its humility, and its deep listening, embodies practice-realization — the understanding that practice and awakening are not separate. His writing was his zazen. This collection, FLEXIBLE MIND, is more than a book. It is a continuation of that practice. A testament to a man who lives by attention, who bows to language but does not cling to it, who seeks what lays beyond words by walking straight into them.”– Kosho Itagaki, Soto Zen Priest
Ontological Kinesiology in Puebla
It was quite a melange of cultures in Puebla during the 14th Subud World Congress August 1-17, 2014. (See my previous posts here and here.) To give you some sense of how diverse the event was, these...
476. Logic of Ordnance
This poem continues from the last postcard poem and Levertov's notion of the acts that serve as counterstrokes to the ills of the world. She would have been writing about WWII, a war in which she...
475. Counterstroke
As with all 2014 August Poetry Postcard Fest poems, this one uses Levertov again as the source of its epigraph and the poem continues the theme of that quote and it weaves through familiar...
474. Ghost Training
The fourth poem from the 2014 August Poetry Postcard Fest, this one continues in the theme of the notion of The Practice of Outside. That an ancestor of Levertov was said to be able to understand...
473. More Listening Than Longing
Here is the 3rd postcard poem from this year's fest and my 473rd overall since the postcard fest started in 2007. I love the Levertov quote to begin this poem. How many times do we hear poems that...
472. Dos Rodillas Artificiales
My second poem from the 2014 August Poetry Postcard Fest was inspired by a dream and by my ongoing investigation into how my body responds to certain negative thought patterns. The card is a photo...
More on Trip to Puebla, Mexico
Am going though my recent journal entries to note the significant events during my recent trip to Puebla, Mexico. As I posted last week, I traveled to Mexico to attend the 14th Subud World Congress,...
471. Killing Gato
This is the first poem I wrote for the 2014 August Poetry Postcard Fest. It was inspired by a renewed plunge into Carla Bley's landmark album Escalator Over The Hill. (Audio. Pdf.) If you listen to...
Frida’s House (fotos)
I am back now for two full days from my first Subud World Congress, which was staged in Puebla, Mexico, August 1-17. People are cutting me off in traffic, I notice how irritated I get when people...
Reflexiones desde Puebla, Conversation Cafe
I've always known the quote as: "Travel is the worst enemy of ignorance" but in researching Mark Twain it appears to be: "Travel is fatal to prejudice, bigotry, and narrow-mindedness." Well, you get...
COVID-19 Sonnet
Since the beginning of 2019 I have been writing "prose sonnets" Matt Trease calls them. 14 line prose poems often with an epigraph and sometimes three. I saw the form first in the work of Jack...
Article on American Sentences
Huge thanks (again) to Tim Green of Rattle Magazine who wrote about my practice of American Sentences for The Press-Enterprise in Riverside, California. The article is called: I love how Tim changes...
9.11.2020 American Sentence
9.11.2020 - He's at the boat launch pier, w/ rod & reel, fishing for smoked salmon....
The interview I conducted with Sam O’Hana, a Ph.D. student at CUNY, is immensely critical and immensely validating for the work we do at the Cascadia Poetics Lab. At its core, the discussion is about whether writing is for people of means, or if it can be people who have skill and something to say. It means the literary gatekeepers have failed us and have a role in perpetuating neoliberalism in North America which has paved the way for authoritarianism. The interview is available as a podcast here and as a YouTube video here. Below, I have pasted in the transcript and here is my introduction to Sam O’Hana and his topic.