Paul E Nelson presenting at Cascadia Poetry Festival 8, photo by Leszek Chudzinski
“Paul formally received the Mahayana precepts of Zen Buddhism in 2023, becoming a lay practitioner within the tradition, but I believe he had long lived in accord with them. His poetry, in its sensitivity, its humility, and its deep listening, embodies practice-realization — the understanding that practice and awakening are not separate. His writing was his zazen. This collection, FLEXIBLE MIND, is more than a book. It is a continuation of that practice. A testament to a man who lives by attention, who bows to language but does not cling to it, who seeks what lays beyond words by walking straight into them.”– Kosho Itagaki, Soto Zen Priest
436. Aaron Kokorowski, Seattle, WA – Frowning Moon
(Click here for audio)
Habib in Seattle, Part Deux
We left off with El Habib Louai's first sushi experience with Sam Hamill and his daughter Eron and I at Sakura in Burlington. (See this post.) Monday (8.12.13) Habib got to go thrift shopping with...
435. Mel Functioning, Singapore – Collars Up!
(Click here for audio. P.S. Mel Functioning? Really Mel?)
434. to Amorak Huey, E. Grand Rapids, MI – Mambo de la Noche
(Click here for audio)
433. Barbara Barg, Chicago, IL – What’s Left Mambo.png
(Click here for audio of the poem)
432. to David Daniels, Denver, CO – Buttercup Mambo
(Click here for audio)
431. to Sandy Longhorn, Little Rock, AR – Wide Horizons
(Hear audio for this poem here.)
430. to Morgan Harlow, Barneveld, WI – Emperor of Wind
(Click here for audio)
Poesia Organica Na Cascadia: uma Sequencia De Energias
With the publication of Poesia Organica Na Cascadia: uma Sequencia De Energias (Organic in Cascadia: A Sequence of Energies), my work is now published in Spanish, Chinese and now Portuguese. Lumme...
429. to Stu Cawley, Chestertown, MD – Bodies of Clay
(For Audio, click here.) or
Lewis MacAdams Dead
This was in the L.A. Times tonight: Lewis MacAdams, a poet and crusader for restoring the concrete Los Angeles River to a more natural state and co-founder of one of the most influential...
Documenting Pandemic
Thanks to POPO participant Linda Clifton, I learned about an essay by George Saunders in The New Yorker: A key paragraph for me: Are you keeping records of the e-mails and texts you’re getting, the...
A Time Before Slaughter/Pig War: & Other Songs of Cascadia
When the box of books arrives at your house and for the first time you hold your new book in your hand, it is quite an experience. I remember moving to Seattle in 2009 and having the first box of my...
How does one make literary art about this time in history that avoids rhetoric and facile political positioning in this era of the spectacle? How does one avoid being consumed by the simultaneous collapse of so many systems — some being eviscerated by people in positions designed to protect such systems? Deborah Poe has some idea based on her submission to the upcoming anthology Winter in America (Still.
Deborah is the author of several books of poetry including keep, Elements, and Our Parenthetical Ontology, as well as a novella in verse, Hélène. Her visual works–video poems and handmade book objects–have been exhibited throughout the US. She lives on stolen Coast Salish land, specifically the ancestral homeland of the Duwamish, Suquamish, Stillaguamish, and Muckleshoot People.
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