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PAUL E NELSON

Cascadia Poetry Festival 8 Paul E Nelson at the microphone

Paul E Nelson presenting at Cascadia Poetry Festival 8, photo by Leszek Chudzinski

Paul formally received the Mahayana precepts of Zen Buddhism in 2023, becoming a lay practitioner within the tradition, but I believe he had long lived in accord with them. His poetry, in its sensitivity, its humility, and its deep listening, embodies practice-realization — the understanding that practice and awakening are not separate. His writing was his zazen. This collection, FLEXIBLE MIND, is more than a book. It is a continuation of that practice. A testament to a man who lives by attention, who bows to language but does not cling to it, who seeks what lays beyond words by walking straight into them.– Kosho Itagaki, Soto Zen Priest

Featured Reading Wedgwood Ale House

Peter Munro has been kind enough to invite me to be the featured poet at his fine open mic in Wedgwood on Monday, February 11, 2013. I will be reading some classics, some American Sentences, some...

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John Olson 1999 Interview

John Olson is the author of Eggs & Mirrors, from Wood Works Press; Swarm of Edges, from BCC Press; and Logo Lagoon, from Paper Brain Press in San Diego. His poetry has been published in numerous...

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Emily Kendal Frey Aug 2010 interview

I am posting interviews from a feature I did on innovative Northwest poets for Rattapallax Magazine in Fall 2010. One of my favorite Cascadia poets is Emily Kendal Frey, the author of AIRPORT (Blue...

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Up a Creek with Brett Nunn

Today I found out I will require bilateral laparoscopic inguinal hernia surgery. Ugh. Not a fan of surgery but quickly becoming a fan of Project Access NW, which has determined that I am eligible...

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Dementia Blog – Susan Schultz

Susan Schultz is a poet, critic, publisher and Professor of English at the University of Hawaii at Manoa. Her focus is modern and contemporary poetry, American literature, and creative writing. She...

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Jerome Rothenberg Nov 2001 Interview

In the first part of a November 2001 interview, Jerome Rothenberg discussed his early introduction to the poetry of Federico Garcia Lorca, Lorca's use of the word duende, a kind of Spanish troll or...

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59. Sisuitl (Si’sEyul)

I read this poem Tuesday at the Wedgewood Ale House to good response and so am posting it here. Yes, it's another in the Haibun de la Serna series, of which I envision 99. It's also part of the...

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APPF13 Update

As of this writing there are 424 participants for the 13th August POetry POstcard Fest. Registration for 2019 ended July 18 and has BEGUN for APPF14. It will end July 4, 2020, earlier than in past...

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APPF (Postcards Are Here Again)

The signup is already open for the 13th August Poetry Postcard Fest and opens EVEN EARLIER for 2020. (July 18, 2019!) In order to allow as many people as possible to participate in the joy of...

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Sam O'Hana April 16, 2025

The interview I conducted with Sam O’Hana, a Ph.D. student at CUNY, is immensely critical and immensely validating for the work we do at the Cascadia Poetics Lab. At its core, the discussion is about whether writing is for people of means, or if it can be people who have skill and something to say. It means the literary gatekeepers have failed us and have a role in perpetuating neoliberalism in North America which has paved the way for authoritarianism. The interview is available as a podcast here and as a YouTube video here. Below, I have pasted in the transcript and here is my introduction to Sam O’Hana and his topic.

Sam O’Hana on Opening Poetry to the Working Class

by Paul E Nelson