Paul E Nelson presenting at Cascadia Poetry Festival 8, photo by Leszek Chudzinski
Paul Nelson’s ongoing honing of the Day Song poetry event has produced some of the most lively and consequential verse of our time. How else write about the calamities and demands and mental/emotional/political consequences of the materialist apocalypse upon us, than an ongoing poesis of awareness and participation the anti-form the Day Song provides? Truly a praxis of proprioception and of Olson’s demand to “keep it moving…
– Sharon Thesen, Cascadian Poet/Scholar from B.C.
401 to Raul Sanchez – Tackling Crackers
400. to Vanessa Herman, Victoria, BC – Born Again Delta
399. to Kitty Jospé, Pittsford, NY – Dark Horse
(Last quote from Jose Lezama...
398. to Karen Lee Lewis, East Amherst, NY – Dream Seeds
397. to Tony Iovino, Rockville Centre, NY – Ghost Prod
5th in this year's series, #397 overall (damn!) this one (like the others so far this year) vamps off Nate Mackey and goes into Runic lore. I have been using Diana L. Paxon's book Taking Up The...
396. to Dheepikaa Balasubramanian, Chennai, India – Indigent Petition
https://www.mcclatchydc.com/2012/07/10/v-rmobi/155668/midwest-drought-may-spark-food.html https://seattletimes.com/html/nationworld/2018823898_apuswidedroughtusda.html
395. to Maggie Kelly, Tacoma, WA – Lichen of Light Green (August Poetry Postcard Fest)
394. to Ben Cook, Edgewood, WA – Listenings
393. Blown Up (2012 August Poetry Postcard Fest)
I am writing this post on July 27, 2012, after composing and documenting the first three poems I am sending in the 2012 August Poetry Postcard Fest. This was a project I conceived of and co-created...
2012 August Poetry Postcard Fest Afterword
I put my last two postcards from this year’s August Poetry Postcard fest in the mail today and, with the baby resting, have a few minutes to share my thoughts about how the fest went as is my wont...
Off-Site @ AWP
The joy of hanging out with poets and NOT having to attend AWP!!! Thank you Knox Gardner for lining up this with your humble narrator and other SPLAB poets: Saturday, March 30, 2019 at 7:30 PM – 12M...
End of the World Anthology
I'm delighted to have work in a new anthology entitled The End of the World Project. It was compiled by Richard Lopez, John Bloomberg-Rissman and T.C. Marshall and is so huge that it takes two books...
Interview Workshop at Open Books
Interviewing as Inspiration, Research, and Documentation with Paul Nelson March 10 @ 10:00 am - 12:00 pm, Open Books, 2414 N. 45th, Seattle. To celebrate the 25th anniversary of SPLAB (Seattle...
How does one make literary art about this time in history that avoids rhetoric and facile political positioning in this era of the spectacle? How does one avoid being consumed by the simultaneous collapse of so many systems — some being eviscerated by people in positions designed to protect such systems? Deborah Poe has some idea based on her submission to the upcoming anthology Winter in America (Still.
Deborah is the author of several books of poetry including keep, Elements, and Our Parenthetical Ontology, as well as a novella in verse, Hélène. Her visual works–video poems and handmade book objects–have been exhibited throughout the US. She lives on stolen Coast Salish land, specifically the ancestral homeland of the Duwamish, Suquamish, Stillaguamish, and Muckleshoot People.
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