Paul E Nelson presenting at Cascadia Poetry Festival 8, photo by Leszek Chudzinski
Paul Nelson’s ongoing honing of the Day Song poetry event has produced some of the most lively and consequential verse of our time. How else write about the calamities and demands and mental/emotional/political consequences of the materialist apocalypse upon us, than an ongoing poesis of awareness and participation the anti-form the Day Song provides? Truly a praxis of proprioception and of Olson’s demand to “keep it moving…
– Sharon Thesen, Cascadian Poet/Scholar from B.C.
Paul Nelson Interviewed by Steve Barker
My gratitude for Steve Barker for taking time to look over my websites and conduct an intelligent interview about my poetry, about SPLAB and some interviews that I have conducted over the years....
More 2012 American Sentences
OK, more harvesting done today and some news. Pablo Baler in his fascinating project The Next Thing: art in the 21st Century has a great end note to the word Greguería. It reads: 1. Greguería is...
Igniting the Galaxies: Cascadian Ecopoetry
Igniting the Galaxies: Cascadian Ecopoetry (A review of Igniting the Green Fuse: Four Canadian Women Poets) (download as a pdf) One of the great delights in organizing the recent Cascadia Poetry...
Intro to Reissue of McClure’s Specks
It was on my 50th birthday that I received an email from Garry Thomas Morse of Talon Books in Vancouver asking if I would be interested in writing the introduction to a reissue of Michael McClure's...
Before Pigs
The opening poem from my current project: Pig War: & Other Songs of Cascadia. Text, with linebreaks fouled up by Wordpress, is here: https://paulenelson.com/pig-war/before-pigs/
53. Nothing Death
53. Nothing Death A kiss is nothing in brackets. – Ramón Gomez de la Serna A poem’s nothing on paper. A stellar jay’s a punk in a western vista. Any death’s an opportunity. One wd sing his pop a...
61. Meat Again
Nothing forgets us more quickly than a barstool. Ramon Gomez de la Serna the sheer terror of being forced into incarnation in accordance with one’s will one’s agreement with the single intelligence....
Puget SOUND Poetry
Nico Vassilakis is curating a night of Puget Sound Poetry, Friday, March 23, 2012 7-9P at Vermillion, 1508 11th Av, as a prelude to the Cascadia Poetry Festival. Including: Cristin Miller Molly Mac...
Ella Roque Nelson, a quarter-Cuban, part-Irish St. Paddy’s Day Baby
When Meredith and I learned that the baby she was carrying was a girl, she started suggesting first names. She would say a name and I would react immediately as to whether I would like it or not,...
Final Cascadia Poetry Festival Preparation
Here are a few highlights, with links, to events of the Cascadia Poetry Festival. Please be aware that Gold Passes are now extremely limited and they may be sold out by March 24th. Guarantee a spot...
Paul E Nelson’s Interviews by Jason Wirth
It was a very humbling experience for me Friday, December 14, 2018, to hear very intelligent and considerate people talk about different aspects of SPLAB's 25 years in existence, with a special...
Open Books Interviewing Workshop
I am delighted to be celebrating the release of American Prophets by way of doing interview workshops in and around Cascadia for the next few months. A workshop happens at Open Books: A Poem...
#SPLAB@25
The non-profit organization I founded on December 14, 1993 turns 25 tomorrow and we are going to celebrate. SPLAB started as It Plays in Peoria Productions and had a mission of creating radio...
How does one make literary art about this time in history that avoids rhetoric and facile political positioning in this era of the spectacle? How does one avoid being consumed by the simultaneous collapse of so many systems — some being eviscerated by people in positions designed to protect such systems? Deborah Poe has some idea based on her submission to the upcoming anthology Winter in America (Still.
Deborah is the author of several books of poetry including keep, Elements, and Our Parenthetical Ontology, as well as a novella in verse, Hélène. Her visual works–video poems and handmade book objects–have been exhibited throughout the US. She lives on stolen Coast Salish land, specifically the ancestral homeland of the Duwamish, Suquamish, Stillaguamish, and Muckleshoot People.
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