Cascadia Poetics LAB logo

PAUL E NELSON

Cascadia Poetry Festival 8 Paul E Nelson at the microphone

Paul E Nelson presenting at Cascadia Poetry Festival 8, photo by Leszek Chudzinski

Paul Nelson’s ongoing honing of the Day Song poetry event has produced some of the most lively and consequential verse of our time. How else write about the calamities and demands and mental/emotional/political consequences of the materialist apocalypse upon us, than an ongoing poesis of awareness and participation the anti-form the Day Song provides? Truly a praxis of proprioception and of Olson’s demand to “keep it moving…
– Sharon Thesen, Cascadian Poet/Scholar from B.C.

More 2012 American Sentences

OK, more harvesting done today and some news. Pablo Baler in his fascinating project The Next Thing: art in the 21st Century has a great end note to the word Greguería. It reads: 1. Greguería is...

read more

Before Pigs

The opening poem from my current project: Pig War: & Other Songs of Cascadia. Text, with linebreaks fouled up by Wordpress, is here: https://paulenelson.com/pig-war/before-pigs/

read more

53. Nothing Death

53. Nothing Death A kiss is nothing in brackets. – Ramón Gomez de la Serna A poem’s nothing on paper. A stellar jay’s a punk in a western vista. Any death’s an opportunity. One wd sing his pop a...

read more

61. Meat Again

Nothing forgets us more quickly than a barstool. Ramon Gomez de la Serna the sheer terror of being forced into incarnation in accordance with one’s will one’s agreement with the single intelligence....

read more

Puget SOUND Poetry

Nico Vassilakis is curating a night of Puget Sound Poetry, Friday, March 23, 2012 7-9P at Vermillion, 1508 11th Av, as a prelude to the Cascadia Poetry Festival. Including: Cristin Miller Molly Mac...

read more

Open Books Interviewing Workshop

I am delighted to be celebrating the release of American Prophets by way of doing interview workshops in and around Cascadia for the next few months.  A workshop happens at Open Books: A Poem...

read more

#SPLAB@25

The non-profit organization I founded on December 14, 1993 turns 25 tomorrow and we are going to celebrate. SPLAB started as It Plays in Peoria Productions and had a mission of creating radio...

read more

One Mind (Impersonal)

The launch of AmericanProphets, my book of transcribed interviews mostly taken from the years of the syndicated radio show I hosted and produced between 1993 and 2004, has been not only a cathartic...

read more
Deborah Poe

How does one make literary art about this time in history that avoids rhetoric and facile political positioning in this era of the spectacle? How does one avoid being consumed by the simultaneous collapse of so many systems — some being eviscerated by people in positions designed to protect such systems?  Deborah Poe has some idea based on her submission to the upcoming anthology Winter in America (Still.

Deborah is the author of several books of poetry including keep, Elements, and Our Parenthetical Ontology, as well as a novella in verse, Hélène. Her visual works–video poems and handmade book objects–have been exhibited throughout the US. She lives on stolen Coast Salish land, specifically the ancestral homeland of the Duwamish, Suquamish, Stillaguamish, and Muckleshoot People.

Check out more of what the Lab does here, and listen to more current and archival podcasts on Spotify or on our website.

To get original poetry right in your mailbox this summer, check out the Poetry Postcard Fest.

Deborah Poe on "flagging the apocalypse pageantry"

by Paul E Nelson