Paul E Nelson presenting at Cascadia Poetry Festival 8, photo by Leszek Chudzinski
“Paul formally received the Mahayana precepts of Zen Buddhism in 2023, becoming a lay practitioner within the tradition, but I believe he had long lived in accord with them. His poetry, in its sensitivity, its humility, and its deep listening, embodies practice-realization — the understanding that practice and awakening are not separate. His writing was his zazen. This collection, FLEXIBLE MIND, is more than a book. It is a continuation of that practice. A testament to a man who lives by attention, who bows to language but does not cling to it, who seeks what lays beyond words by walking straight into them.”– Kosho Itagaki, Soto Zen Priest
Brenda-ized City Sonnet
For three full seasons (October-June, 2020-2023) I have conducted online workshops designed to allow poets who have participated in the Poetry Postcard Fest to go a little deeper into the process of...
Postcard Poem as Ofrenda
After I suggested this title as the June 15, 2023, talk to be given at the Altar/Alter project, I realized that what I meant was more like milagro or folk charm, though one could make the case that...
Postcards on the Altar
I am delighted to be part of an ambitious event being produced by Greg Bem, Eric Acosta, Amy Hirayama, and Denny Stern. Three of the four are postcard poets and all are energetic members of the...
732. Varney’s Nada
I have a practice of reading my journal entry from the same day of the previous year and love when poems I'd forgotten I'd written show up and still have some potency. Sam always warned me not to be...
Sam @ 80 (w/ audio from Doe Bay reading)
Sam Hamill would have been 80 today, May 9, 2023. He has been gone 5 years now, but he is in my head daily. Anytime I drink saké, eat sushi, look at my altar and often when I am engaged in reading...
Last of the Brenda Hillman Workshops
It has been a magical 10 week ride so far, examining Brenda Hillman's new book In a Few Minutes Before Later. In the last five week workshop we'll look at the last third of the book, examine...
Heavy Lifting Art Book
I am delighted to present an interview about the art book Heavy Lifting, a collaboration by Felicia Rice of Moving Parts Press and the poet Theresa Whitehill. Recorded Friday, March 25, 2023, via...
AWP Off-Site Events
The AWP Conference is in Seattle again (March 8-11) and 10,000 writers are expected to be in Seattle for the proceedings. (Come say hello to the Cascadia Poetics Lab at the bookfair table T1427.) We...
I Sing the Salmon Home
I'm delighted to have work in the new anthology curated by the outgoing Washington Poet Laureate Rena Priest. A postcard poem from 2022 was selected and I got this note from the publisher, Empty...
AWP Off-Site Readings
AWP is again having their annual convention in Seattle in 2023 and an expected 10,000 writers are headed here. (Don't say we didn't warn you!) The Cascadia Poetics Lab will have a booth at the book...
Sharon Thesen July 2025 Interview
What an honor to interview Sharon Thesen. Of all the people I know, she is in the 99th percentile regarding poetry perception. She has informed my own aesthetic, uses poetry as a tool to make...
rain shadow poetry festival
I'm delighted to be going back to Cumberland, BC, to participate in the rain shadow poetry festival. This is August 22-24, 2025, and is based on the work Adelia MacWilliam did in that part of the...
Paul @ Bradner Gardens with Jim O’Halloran
Jim O'Halloran, the flute player and Subud brother with whom I have collaborated for at least sixteen years, wrote this yesterday: I’m delighted to be returning to Bradner Gardens Park again this...
How does one make literary art about this time in history that avoids rhetoric and facile political positioning in this era of the spectacle? How does one avoid being consumed by the simultaneous collapse of so many systems — some being eviscerated by people in positions designed to protect such systems? Deborah Poe has some idea based on her submission to the upcoming anthology Winter in America (Still.
Deborah is the author of several books of poetry including keep, Elements, and Our Parenthetical Ontology, as well as a novella in verse, Hélène. Her visual works–video poems and handmade book objects–have been exhibited throughout the US. She lives on stolen Coast Salish land, specifically the ancestral homeland of the Duwamish, Suquamish, Stillaguamish, and Muckleshoot People.
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