Paul E Nelson presenting at Cascadia Poetry Festival 8, photo by Leszek Chudzinski
“Paul formally received the Mahayana precepts of Zen Buddhism in 2023, becoming a lay practitioner within the tradition, but I believe he had long lived in accord with them. His poetry, in its sensitivity, its humility, and its deep listening, embodies practice-realization — the understanding that practice and awakening are not separate. His writing was his zazen. This collection, FLEXIBLE MIND, is more than a book. It is a continuation of that practice. A testament to a man who lives by attention, who bows to language but does not cling to it, who seeks what lays beyond words by walking straight into them.”– Kosho Itagaki, Soto Zen Priest
Nina Menkes Producer of Brainwashed: Sex Camera Power
Thanks to a member of my Subud spiritual community, I was alerted to a new documentary about gender relations in Hollywood and a thesis by a director that says the "visual rhetoric" of camera angles...
Poetics as Cosmology Workshops in Des Moines
I am grateful to 4Culture and the Des Moines Arts Commission for the support of three free workshops next month. Poetics as Cosmology is the title of a workshop I have been facilitating online for...
Interview with Claudia Castro Luna in Poetry NW
I'm delighted to have a version of my June 2022 interview with Claudia Castro Luna published in Poetry NW. Thank you Bill Carty. Here is an excerpt: There’s war raging in Ukraine, a general feeling...
Upcoming Readings and Workshops All Free
MONDAY I'm delighted to be reading for Raul Sanchez Monday night at HeartSpace in Lake City. I've known Raul from the local poetry community going back almost 30 years. (1994, at Auburn's Best Café...
Poetics As Cosmology in West Seattle
Thanks to the support of 4Culture, I am presenting a workshop I have been developing for a few years in West Seattle starting this Friday. 1pm, Oct 7, 21 & 28, 2022. There will be discussion,...
In Person and Online Workshops
It has become part of an annual rhythm thanks to the pandemic and the emergence of Zoom. Coming after the Poetry Postcard Fest is the workshop season. For two years it has only been online. While...
9.28.2022 @ Underbelly
Once I survived the promotional photo shoot for the Underbelly reading, I was ready for the event. I'll be part of a reading in Pioneer Square with: underbelly every last Wednesday ...
Nuchatlitz, Artful
Bhakti and I were delighted to have been offered a chance to visit Nuchatlitz, BC, thanks to Adelia MacWilliam and Shannon Bailey. It required a long drive to Tahsis, BC, with a ferry just to get...
Postcards, Poetics as Cosmology, Embodied
The 2022 Postcard season is drawing to an end and I am delighted we have 17 complete groups this year and a tie for our best participation ever, 544. I have completed writing and mailing my 31 cards...
Reading in Courtenay BC
Thanks to the efforts of Ed Varney, I'll give a short reading at ARTFUL Gallery in Courtenay, BC on Sunday, August 28th at 7pm. (526C Cumberland Road.) There will be open mic and there is a...
Eagle Harbor Book Company Canceled
Dear Faithful Blog Reader! The Winter in America (Again reading scheduled for tonight, Friday, July 11, 2025, has been canceled. The tour's last stop is tomorrow, Saturday, July 12, at 2pm at the...
Poetry Postcards and Zen
An amazing testimonial for the Poetry Postcard Fest though it was not intended to serve that purpose. It is from Kosho Itagaki of Temple Eishoji (where I sit three days a week.) He writes: 🚤...
Matt Trease Interview The Outside
Matt Trease moved to Seattle, became a postcard poet, has long helped run the Margin Shift reading in Seattle, has been a board member of the Cascadia Poetics Lab for 8 years and is my good friend....
How does one make literary art about this time in history that avoids rhetoric and facile political positioning in this era of the spectacle? How does one avoid being consumed by the simultaneous collapse of so many systems — some being eviscerated by people in positions designed to protect such systems? Deborah Poe has some idea based on her submission to the upcoming anthology Winter in America (Still.
Deborah is the author of several books of poetry including keep, Elements, and Our Parenthetical Ontology, as well as a novella in verse, Hélène. Her visual works–video poems and handmade book objects–have been exhibited throughout the US. She lives on stolen Coast Salish land, specifically the ancestral homeland of the Duwamish, Suquamish, Stillaguamish, and Muckleshoot People.
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