Paul E Nelson presenting at Cascadia Poetry Festival 8, photo by Leszek Chudzinski
Paul Nelson’s ongoing honing of the Day Song poetry event has produced some of the most lively and consequential verse of our time. How else write about the calamities and demands and mental/emotional/political consequences of the materialist apocalypse upon us, than an ongoing poesis of awareness and participation the anti-form the Day Song provides? Truly a praxis of proprioception and of Olson’s demand to “keep it moving…
– Sharon Thesen, Cascadian Poet/Scholar from B.C.
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513. Summer Desk Avalanche
The latest poem from the 2015 August Poetry Postcard Fest. (See other poems here.) A Georgia O’Keeffe card and great epigraph from Joanne Kyger, the composition of which affected the content. (Wait...
Notes for Personal Myth and Genius Loci
(Workshop given at Tacoma Poetry Festival, Saturday, October 17, 2015) Personal Myth, Place, Genius Loci – Paul Nelson What is the myth you are living? Your Personal Mythology, relationship to place...
Divorce and Yoga Windows
After 1,909 days of marriage to Meredith A. (Sedlachek) Nelson, our union ended with a whimper in the King County Courthouse on Thursday (Oct 15, 2015) followed by a Cajun Meal at Marcela's Creole...
How does one make literary art about this time in history that avoids rhetoric and facile political positioning in this era of the spectacle? How does one avoid being consumed by the simultaneous collapse of so many systems — some being eviscerated by people in positions designed to protect such systems? Deborah Poe has some idea based on her submission to the upcoming anthology Winter in America (Still.
Deborah is the author of several books of poetry including keep, Elements, and Our Parenthetical Ontology, as well as a novella in verse, Hélène. Her visual works–video poems and handmade book objects–have been exhibited throughout the US. She lives on stolen Coast Salish land, specifically the ancestral homeland of the Duwamish, Suquamish, Stillaguamish, and Muckleshoot People.
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