Paul E Nelson presenting at Cascadia Poetry Festival 8, photo by Leszek Chudzinski
Paul Nelson’s ongoing honing of the Day Song poetry event has produced some of the most lively and consequential verse of our time. How else write about the calamities and demands and mental/emotional/political consequences of the materialist apocalypse upon us, than an ongoing poesis of awareness and participation the anti-form the Day Song provides? Truly a praxis of proprioception and of Olson’s demand to “keep it moving…
– Sharon Thesen, Cascadian Poet/Scholar from B.C.
Interview with Shin Yu Pai (Ensō)
Shin Yu Pai's new book, Ensō is categorized as a künstlerroman, an artist's novel, a class of bildungsroman or apprentice novel, that deals with the maturation of a young artist. Yet this is not...
Cascadian Zen Interview with Jason Wirth
“Cascadian Zen” is an event at Seattle University on February 14 and 15, 2020 that’s organized loosely around exploring the relationship between the Cascadian bioregion as it intersects with Zen...
Cascadian Zen
I am delighted to be part of the Cascadian Zen weekend at Seattle U, which I am helping to organize with Shin Yu Pai and Jason Wirth. Shin Yu is the former Poet Laureate of Redmond and Jason is...
Two Videos (Lyric World Conversation, Roche Memorial)
There are two videos in which Your Humble Narrator plays a role that are well worth watching. The first is an interview with Thomas Hitoshi Pruiksma and Shin Yu Pai on a new series at Town Hall...
Interview with Miriam Nichols on Mechanic of Splendor
Of the post-war North American poets that wrote from a stance of spontaneity, there are few that spring to mind immediately, Charles Olson, Robert Duncan, Jack Spicer, Denise Levertov, Michael...
The MUD Proposal proposal
After writing about being accepted by The Mud Proposal (see: https://paulenelson.com/2020/01/01/the-mud-proposal/) I came across my cover letter for the Mud Proposal: Dear Editors, I am in year...
MLA Seattle Off-Site Reading
I am delighted to be part of a giant mosaic of poets reading on Friday, January 10, 2020, in the MLA Off-Site Reading. The venue is the Town Hall Forum, 1119 8th Avenue, Seattle, WA, 7:30 to 11pm,...
The Mud Proposal
Thanks to Aryanil Mukherjee and Pat Clifford, I am delighted to have work in the latest Mud Proposal. Aryanil is responsible for the Bengali poetry journal Kaurab and curates the Mud Proposal, named...
Three Memorials for Judith Roche
On December 24, 2019, the Seattle Times published its obituary for Judith Roche. An excerpt: “My basic thing is that poetry is approaching the holy and it’s a translation of the sacred and it says...
PoPo Interviews
I am looking to interview at least ten postcard participants in the next few weeks to create some videos for a new PoPo website that will replace the current page on my cluttered personal site....
Postcards from Here, Postcards from Mapes Creek
I had no idea when Bhakti Watts and I moved to Rainier Beach in 2017 how much we would love this neighborhood, how much it would give back to us and shape our lives. And yes, we've each survived...
A Journal of the Plague Years
I like to think of it as projective journalism. Maybe it's becoming a lost art to write and publish history with deep perception hours after events happen, but Susan Zakin and her crew at Journal of...
DaySong Miracle (Past 62) Profiled on SICA-USA
I was delighted to see the SICA-USA blog post written about my new book DaySong Miracle (Past 62). I knew it was coming, but to read the way my Subud brother Jim O'Halloran handled the information...
How does one make literary art about this time in history that avoids rhetoric and facile political positioning in this era of the spectacle? How does one avoid being consumed by the simultaneous collapse of so many systems — some being eviscerated by people in positions designed to protect such systems? Deborah Poe has some idea based on her submission to the upcoming anthology Winter in America (Still.
Deborah is the author of several books of poetry including keep, Elements, and Our Parenthetical Ontology, as well as a novella in verse, Hélène. Her visual works–video poems and handmade book objects–have been exhibited throughout the US. She lives on stolen Coast Salish land, specifically the ancestral homeland of the Duwamish, Suquamish, Stillaguamish, and Muckleshoot People.
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