Paul E Nelson presenting at Cascadia Poetry Festival 8, photo by Leszek Chudzinski
Paul Nelson’s ongoing honing of the Day Song poetry event has produced some of the most lively and consequential verse of our time. How else write about the calamities and demands and mental/emotional/political consequences of the materialist apocalypse upon us, than an ongoing poesis of awareness and participation the anti-form the Day Song provides? Truly a praxis of proprioception and of Olson’s demand to “keep it moving…
– Sharon Thesen, Cascadian Poet/Scholar from B.C.
Make it True meets Medusario Review
Thank you Paul Constant, at the Seattle Review of Books, for the kind and (I think) perceptive review of an anthology I had a hand in bringing into the world. Make It True meets Medusario is indeed...
No Map, No Jud (For Judith Roche)
My elegy for Judith Roche has been published by the South Seattle Emerald: https://southseattleemerald.com/2019/11/24/sunday-stew-no-map-no-jud-for-judith-roche/ See also:...
Bill Mawhinney Bids Adieu to Northwind
I had the good fortune to read AT LEAST three times during Bill Mawhinney's tenure as producer of the monthly Northwind Poetry series in Port Townsend over the last 13 years. That he came out of the...
Judith Roche, Rest in Power
I was saddened to hear the news via Facebook that Judith Roche died at her home in Seattle's Leschi neighborhood tonight. (Thursday, November 14, 2019). I had a chance to visit her last week and she...
Interview with Beat Nun Mary Norbert Körte (Oct 25, 2019)
The second and third interviews with former Catholic Nun Mary Norbert Körte were conducted by your humble narrator on Friday, and Saturday, October 25 and 26, 2019. While the woodstove fire crackled...
Reading in Ukiah
I will be heading to extreme Southern Cascadia Thursday, and go out of the bioregion to read in Ukiah, California. I am headed south to meet and interview Mary Norbert Körte, a poet, and former...
Happy 87th Michael McClure
I loved hearing Michael McClure and Allen Ginsberg at Naropa in 1976. See:...
Red Pine (Bill Porter) Interview
I had the good fortune to visit Bill Porter, the translator of ancient Chinese poetry and sacred texts, and interview him at his Port Townsend home on August 28, 2019. His latest books at the time...
Notes on The Undercommons
Nate Mackey tipped me off a few years ago to the work of Fred Moten and few months ago I came across a New Yorker article about a book Moten co-wrote with Stefano Harney entitled: The Undercommons:...
Write On Door County Sept 2019 Residency
I'm near the end of my week-long writing residency at Write On Door County. Postcard poet Sharon Auberle tipped me off to this writing center in the part of Wisconsin that sticks into Lake Michigan....
Memory’s Vault (book)
I had the good fortune last Sunday (May 19) to be invited to participate in a reading at Memory's Vault to celebrate the publication of the Empty Bowl book Memory's Vault: The Poetic Heart of Fort...
Larry Lawrence at Jack Straw
Writing a blurb for a friend or associate's book is a difficult task. One has to be compelling, has to have some credibility regarding knowledge of the book's content and has to have a call to act,...
DaySong Miracle (Past 62)
From Greg Bem in Spokane, WA: Greetings from Spokane! I am pleased to announce the third release from Carbonation Press: Paul E. Nelson's DaySong Miracle (Past 62). This small book is available...
How does one make literary art about this time in history that avoids rhetoric and facile political positioning in this era of the spectacle? How does one avoid being consumed by the simultaneous collapse of so many systems — some being eviscerated by people in positions designed to protect such systems? Deborah Poe has some idea based on her submission to the upcoming anthology Winter in America (Still.
Deborah is the author of several books of poetry including keep, Elements, and Our Parenthetical Ontology, as well as a novella in verse, Hélène. Her visual works–video poems and handmade book objects–have been exhibited throughout the US. She lives on stolen Coast Salish land, specifically the ancestral homeland of the Duwamish, Suquamish, Stillaguamish, and Muckleshoot People.
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