Paul E Nelson presenting at Cascadia Poetry Festival 8, photo by Leszek Chudzinski
“Paul formally received the Mahayana precepts of Zen Buddhism in 2023, becoming a lay practitioner within the tradition, but I believe he had long lived in accord with them. His poetry, in its sensitivity, its humility, and its deep listening, embodies practice-realization — the understanding that practice and awakening are not separate. His writing was his zazen. This collection, FLEXIBLE MIND, is more than a book. It is a continuation of that practice. A testament to a man who lives by attention, who bows to language but does not cling to it, who seeks what lays beyond words by walking straight into them.”– Kosho Itagaki, Soto Zen Priest
Claudia Castro Luna Interview, Part 2
Last week we featured the first half of our interview your humble narrator conducted with the incoming Washington State Poet Laureate, Claudia Castro Luna. In the second half (audio parts 3 & 4)...
Claudia Castro Luna Interview, Part 1
Claudia Castro Luna is the incoming Poet Laureate of the state of Washington. For two years she had been the Civic Poet of Seattle, the city’s version of the ceremonial position. In this first part...
Cascadia Talk in Nanaimo, Retreat
It's been over five years since I published Why Cascadia, Why Poetry? In it I make the case for bioregionalism and poetry as part of a response to the decline of democracy in the United States,...
Audio Interview Archive Taking Shape
Thanks to a grant from 4Culture, the archive of interviews I have done over the years is being organized. Summaries of past interviews, going back to December 1990, are going up weekly...
Deep in Cascadia: What Does It Mean to Be Here/Write Here?
I am honored to be invited to talk in Nanaimo on January 21, 2018, to discuss Deep In Cascadia: What Does it Mean to be Here/Write Here? I am grateful to Carla Stein, Ann Graham Walker and the BC...
The New U.S. Civil War
No doubt by now you've heard about the vote of the U.S. Senate that would drastically revamp the U.S. tax code in a way that has not been attempted for over 30 years. The minority party (Democrats)...
Finn Menzies Interview
Finn Menzies is an out transgender teacher in Seattle, WA. His work is his spiritual practice and his activism. He received his MFA from Mills College. He is the creator of FIN Zine, a bi-annual...
Bioregionalism in the Age of Crumbling Empire
It has been clear to me for a couple of decades now that WWIII is the planet vs. humans. Author and Nostradamus scholar John Hogue posited that in his 2000 book The Millennium Book of Prophecy, said...
The Cold Moon (A Greg Bem Production)
Greg Bem has a knack for creating events that while poetry based, transcend literary art. His own performances have always been closer to the "happenings" of performance art and Fluxus. Here is his...
Two Anthologies
I was delighted to participate in the open mic called Poetry Bridge, Wednesday, October 25, 2017, at the C&P Coffeehouse aka: West Seattle's Living Room. Leopoldo Seguel holds court, introduces...
Heavy Lifting Art Book
I am delighted to present an interview about the art book Heavy Lifting, a collaboration by Felicia Rice of Moving Parts Press and the poet Theresa Whitehill. Recorded Friday, March 25, 2023, via...
AWP Off-Site Events
The AWP Conference is in Seattle again (March 8-11) and 10,000 writers are expected to be in Seattle for the proceedings. (Come say hello to the Cascadia Poetics Lab at the bookfair table T1427.) We...
I Sing the Salmon Home
I'm delighted to have work in the new anthology curated by the outgoing Washington Poet Laureate Rena Priest. A postcard poem from 2022 was selected and I got this note from the publisher, Empty...
How does one make literary art about this time in history that avoids rhetoric and facile political positioning in this era of the spectacle? How does one avoid being consumed by the simultaneous collapse of so many systems — some being eviscerated by people in positions designed to protect such systems? Deborah Poe has some idea based on her submission to the upcoming anthology Winter in America (Still.
Deborah is the author of several books of poetry including keep, Elements, and Our Parenthetical Ontology, as well as a novella in verse, Hélène. Her visual works–video poems and handmade book objects–have been exhibited throughout the US. She lives on stolen Coast Salish land, specifically the ancestral homeland of the Duwamish, Suquamish, Stillaguamish, and Muckleshoot People.
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