Paul E Nelson presenting at Cascadia Poetry Festival 8, photo by Leszek Chudzinski
Paul Nelson’s ongoing honing of the Day Song poetry event has produced some of the most lively and consequential verse of our time. How else write about the calamities and demands and mental/emotional/political consequences of the materialist apocalypse upon us, than an ongoing poesis of awareness and participation the anti-form the Day Song provides? Truly a praxis of proprioception and of Olson’s demand to “keep it moving…
– Sharon Thesen, Cascadian Poet/Scholar from B.C.
RIP Bridget A. Nutting
Sad to report that one of the longtime August Poetry Postcard Fest participants, Bridget Nutting of Vancouver, Washington, died yesterday, Sunday, October 9, 2016. From her son Josh: On Sunday...
Blue River Writers Gathering 2016
So much to share with the preparations for the 4th Cascadia Poetry Festival Nov 3-6, with the last day of our fundraising campaign to install a modest plaque to honor the memory of Denise Levertov...
Cascadia IV (I Did Not Build That)
I'm thinking of the controversy from an event during the 2012 U.S. Presidential campaign. It's the You Didn't Build That notion and was the response by less conscious people about the nature of how...
Denise Levertov Plaque
I've never attempted anything like this before, but have had some potential poetry plaques that were discussed, but plans fell through. This one is going to happen. I am working with Jayne DeHaan of...
Demise of Mental-Rational Ontology
It never ceases to amaze to me to see how connections in this world are made, how, in the words of Michael McClure: "We swirl out what we are and watch what returns." Case in point, a lodger coming...
2016 Postcards I Got (Video)
There's not much more I can say about the 2016 August Poetry Postcard Fest that I did not say in the first of two videos that I created today (Sept 7, 2016): And to pick out highlights is so...
August Poetry Postcard Fest 2016 Afterword
Such a bittersweet feeling to drop off my last three poetry postcards at the post office. Even though there is a mailbox downstairs here at the swinging Angeline and a mailbox on the corner of...
Chani Nicholas, Latihan and Postcards
I love it when different parts of my life intersect, reinforce, inform one another, validate, how ever you want to put it. It took an Einstein, I am told, to say: "Coincidence is God's way of...
Lawrence Paul Yuxweluptun Interview
On August 6, 2016, I was honored to have a rare opportunity to interview Lawrence Paul Yuxweluptun, one of the most brilliant painters in Cascadia. His work is also the subject of Unceded...
Annual Bradner Gardens Reading
I get to read Saturday with the Jim O'Halloran Quintet at Bradner Gardens, which is always a gas. The band is amazing and Jim always takes time to work out an intelligent plan to accompany my work....
Poetics as Cosmology Workshops Fall 2022
Poetics as Cosmology (Intro to Spontaneous Composition) A five week online (Zoom) workshop for people who have had a little experience in spontaneous poetry composition and want more. Join Cascadia...
Margin Shift June 16, 2022!
(This post has been updated to include Tay Stafford, who has just been added to the bill. There WILL be streaming on Facebook for those who can't make it down to Belltown.) I am delighted to read at...
Haiku NW Talk about Poetry Postcard Fest
It has been eleven years since I was a presenter at Haiku North America, on the campus of Fort Worden in 2011. I spoke on the subject of American Sentences, those 17 syllable poems that I have been...
How does one make literary art about this time in history that avoids rhetoric and facile political positioning in this era of the spectacle? How does one avoid being consumed by the simultaneous collapse of so many systems — some being eviscerated by people in positions designed to protect such systems? Deborah Poe has some idea based on her submission to the upcoming anthology Winter in America (Still.
Deborah is the author of several books of poetry including keep, Elements, and Our Parenthetical Ontology, as well as a novella in verse, Hélène. Her visual works–video poems and handmade book objects–have been exhibited throughout the US. She lives on stolen Coast Salish land, specifically the ancestral homeland of the Duwamish, Suquamish, Stillaguamish, and Muckleshoot People.
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