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PAUL E NELSON

Cascadia Poetry Festival 8 Paul E Nelson at the microphone

Paul E Nelson presenting at Cascadia Poetry Festival 8, photo by Leszek Chudzinski

Paul formally received the Mahayana precepts of Zen Buddhism in 2023, becoming a lay practitioner within the tradition, but I believe he had long lived in accord with them. His poetry, in its sensitivity, its humility, and its deep listening, embodies practice-realization — the understanding that practice and awakening are not separate. His writing was his zazen. This collection, FLEXIBLE MIND, is more than a book. It is a continuation of that practice. A testament to a man who lives by attention, who bows to language but does not cling to it, who seeks what lays beyond words by walking straight into them.– Kosho Itagaki, Soto Zen Priest

Global Warming Sentences

In my two most recent readings of American Sentences, I used as an ordering device the month of April. I went through my manuscript and copied off all of the poems written in April that were...

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531. Rat Access

Another Salish Art card from the 2015 August Poetry Postcard Fest and one I’ve used before. We miss our cats, not that they would have been able to ward off attic rats. There is just something...

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Neoliberalism = the New Religion

God is dead but Satan abhors a vacuum. And religion/spirituality in North America has been replaced with neoliberalism. I find this out during the current U.S. Presidential campaign when I engage...

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530. Cig Butt Mystery

If you believe in Traditional Chinese Medicine, you know the lung/heart meridian is related to grief. I can't help thinking that anytime someone has a smoking habit, grief must not be far away....

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Neoliberalism

Continuing now with the quote from the last post that I said was leading to another post, this one about Neoliberalism. The quote was: I don’t think we’d be discussing how neoliberalism hijacked...

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Proprioception

Proprioception

Ever since Fred Wah mentioned proprioception in an interview we did that was posted on YouTube and made into a podcast, I have been plunged back into a study of this capacity. It's how human and...

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Reading w/ Jim O’Halloran Trio

Reading w/ Jim O’Halloran Trio

It was a remarkable experience reading my poems with the accompaniment of the Jim O'Halloran Trio on February 25, 2022 at Kezira Café. Jim's a wonderful musician, bandleader and arranger. He...

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Poems for Peace

Poems for Peace

Under the auspices of my position as Chair of my spiritual community's National Cultural Wing, SICA-USA, for 15 months (& two years before that as Secretary) I have been involved in creating...

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Deborah Poe

How does one make literary art about this time in history that avoids rhetoric and facile political positioning in this era of the spectacle? How does one avoid being consumed by the simultaneous collapse of so many systems — some being eviscerated by people in positions designed to protect such systems?  Deborah Poe has some idea based on her submission to the upcoming anthology Winter in America (Still.

Deborah is the author of several books of poetry including keep, Elements, and Our Parenthetical Ontology, as well as a novella in verse, Hélène. Her visual works–video poems and handmade book objects–have been exhibited throughout the US. She lives on stolen Coast Salish land, specifically the ancestral homeland of the Duwamish, Suquamish, Stillaguamish, and Muckleshoot People.

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Deborah Poe on "flagging the apocalypse pageantry"

by Paul E Nelson