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PAUL E NELSON

Cascadia Poetry Festival 8 Paul E Nelson at the microphone

Paul E Nelson presenting at Cascadia Poetry Festival 8, photo by Leszek Chudzinski

Paul Nelson’s ongoing honing of the Day Song poetry event has produced some of the most lively and consequential verse of our time. How else write about the calamities and demands and mental/emotional/political consequences of the materialist apocalypse upon us, than an ongoing poesis of awareness and participation the anti-form the Day Song provides? Truly a praxis of proprioception and of Olson’s demand to “keep it moving…
– Sharon Thesen, Cascadian Poet/Scholar from B.C.

Postcards for Garcia

A follow up to the post about my recent trip to Taos, New Mexico. Amalio Madueño is community development specialist and brilliant poet of Yaqui and Tarahumara heritage. I am indebted to Amalio for...

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532. Old as the Devil

ANOTHER devil reference in this latest of the 2015 August Poetry Postcard Fest and an image of one to boot. I love how the neighbors across the street use a pole with netting at the end to harvest...

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Taos April 2016

I have just returned from Taos, New Mexico, where I was invited to read at the Jazz & Poetry event produced by the Taos Bebop Jazz Society and Analog Eric and Judy Katzman. I had first gone to...

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Global Warming Sentences

In my two most recent readings of American Sentences, I used as an ordering device the month of April. I went through my manuscript and copied off all of the poems written in April that were...

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531. Rat Access

Another Salish Art card from the 2015 August Poetry Postcard Fest and one I’ve used before. We miss our cats, not that they would have been able to ward off attic rats. There is just something...

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Neoliberalism = the New Religion

God is dead but Satan abhors a vacuum. And religion/spirituality in North America has been replaced with neoliberalism. I find this out during the current U.S. Presidential campaign when I engage...

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530. Cig Butt Mystery

If you believe in Traditional Chinese Medicine, you know the lung/heart meridian is related to grief. I can't help thinking that anytime someone has a smoking habit, grief must not be far away....

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Greg Bem Reviews Haibun de la Serna

Greg Bem Reviews Haibun de la Serna

Huge thanks to Greg Bem who has authored a five star review of Haibun de la Serna. CINCO ESTRELLAS in the immortal words of jazz pianist Elisha Gullixson. Greg writes on his blog and on Goodreads:...

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Poetry for Ukraine

I recently participated in a couple of readings dedicated to addressing the Russian war in Ukraine. One event I had a hand in organizing. I was honored to be asked to read for the other. March 15...

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Deborah Poe

How does one make literary art about this time in history that avoids rhetoric and facile political positioning in this era of the spectacle? How does one avoid being consumed by the simultaneous collapse of so many systems — some being eviscerated by people in positions designed to protect such systems?  Deborah Poe has some idea based on her submission to the upcoming anthology Winter in America (Still.

Deborah is the author of several books of poetry including keep, Elements, and Our Parenthetical Ontology, as well as a novella in verse, Hélène. Her visual works–video poems and handmade book objects–have been exhibited throughout the US. She lives on stolen Coast Salish land, specifically the ancestral homeland of the Duwamish, Suquamish, Stillaguamish, and Muckleshoot People.

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To get original poetry right in your mailbox this summer, check out the Poetry Postcard Fest.

Deborah Poe on "flagging the apocalypse pageantry"

by Paul E Nelson