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PAUL E NELSON

Cascadia Poetry Festival 8 Paul E Nelson at the microphone

Paul E Nelson presenting at Cascadia Poetry Festival 8, photo by Leszek Chudzinski

Paul Nelson’s ongoing honing of the Day Song poetry event has produced some of the most lively and consequential verse of our time. How else write about the calamities and demands and mental/emotional/political consequences of the materialist apocalypse upon us, than an ongoing poesis of awareness and participation the anti-form the Day Song provides? Truly a praxis of proprioception and of Olson’s demand to “keep it moving…
– Sharon Thesen, Cascadian Poet/Scholar from B.C.

508. Crater Glacier (Power Animal)

The largest category of (August Poetry Postcard Fest) cards I send out, in terms of the image, feature Coastal Salish art. I think this is one of the world’s most potent artistic traditions, on a...

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After The Japanese (End)

I had no idea when I started this series that it would end with me writing poems about my Father's death on Mother's Day 2014. And so it goes. I am grateful to have a process that allows me to, yes,...

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After the Japanese 95-98

Near the very end of this series of 100 poems my Father died. (May 11, 2014) I'd not experienced much death in my life to that point and Dad died in his bed and not in some hospital, which made me...

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Some 2015 Postcard Highlights

Autumn came in with a bang yesterday, three weeks early. (Damage is said to be in the tens of millions of dollars.) It's odd, but early Spring and early Summer this year were greeted with great joy....

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506. Curved Projections

This is the first "official" poetry postcard of mine for 2015, year 9. I sent out one "practice card" to someone from last year's list, but THIS year I decided to use Joanne Kyger's new book On Time...

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Model Session

It has been about 15 years since I last sat for painters, one of them Joan Treat, who created this painting which I bought immediately: But the session last week at the studio of Amanda Teicher was...

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Two Gigs This Week

I am not a fan of public readings in Seattle summer and ESPECIALLY during August, the month of POSTCARDS but here are two, one Friday night (Aug 28) and one Saturday night (Aug 29) in Seattle: An...

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1st Podcast Robert Lashley

1st Podcast Robert Lashley

I have been asked many times: "Do you have a podcast?" Now, I can say "yes." Via the non-profit I founded in 1993, now known as the Cascadia Poetics LAB, we have launched Cascadian Prophets....

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Paul @ 60 (You Are Invited)

Paul @ 60 (You Are Invited)

It was 30 years ago when I was rather new at creating public affairs radio interviews, at age 29, when I had Dr. Bill Mitchell on the program discussing How To Live to 120: Bill made it to 60 and I...

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Cascadian Zen

Cascadian Zen

What is the nature of the bioregion known as Cascadia? How is this insight expressed by the people who live, work, practice, and play here? Is there a connection between Zen practice, broadly...

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Deborah Poe

How does one make literary art about this time in history that avoids rhetoric and facile political positioning in this era of the spectacle? How does one avoid being consumed by the simultaneous collapse of so many systems — some being eviscerated by people in positions designed to protect such systems?  Deborah Poe has some idea based on her submission to the upcoming anthology Winter in America (Still.

Deborah is the author of several books of poetry including keep, Elements, and Our Parenthetical Ontology, as well as a novella in verse, Hélène. Her visual works–video poems and handmade book objects–have been exhibited throughout the US. She lives on stolen Coast Salish land, specifically the ancestral homeland of the Duwamish, Suquamish, Stillaguamish, and Muckleshoot People.

Check out more of what the Lab does here, and listen to more current and archival podcasts on Spotify or on our website.

To get original poetry right in your mailbox this summer, check out the Poetry Postcard Fest.

Deborah Poe on "flagging the apocalypse pageantry"

by Paul E Nelson