Paul E Nelson presenting at Cascadia Poetry Festival 8, photo by Leszek Chudzinski
Paul Nelson’s ongoing honing of the Day Song poetry event has produced some of the most lively and consequential verse of our time. How else write about the calamities and demands and mental/emotional/political consequences of the materialist apocalypse upon us, than an ongoing poesis of awareness and participation the anti-form the Day Song provides? Truly a praxis of proprioception and of Olson’s demand to “keep it moving…
– Sharon Thesen, Cascadian Poet/Scholar from B.C.
440. to Rhonda Ganz, Victoria, BC-The True Story of the Poets Chair
(Click here for audio)
439. Michael Hanner, Eugene, OR – Mr. Breeze
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438. Carol Dorf, Berkeley, CA – Kiss the Morning Glory
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437. Mark Allen Jenkins, Dallas, TX – Edge of Decomposition
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436. Aaron Kokorowski, Seattle, WA – Frowning Moon
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Habib in Seattle, Part Deux
We left off with El Habib Louai's first sushi experience with Sam Hamill and his daughter Eron and I at Sakura in Burlington. (See this post.) Monday (8.12.13) Habib got to go thrift shopping with...
435. Mel Functioning, Singapore – Collars Up!
(Click here for audio. P.S. Mel Functioning? Really Mel?)
434. to Amorak Huey, E. Grand Rapids, MI – Mambo de la Noche
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433. Barbara Barg, Chicago, IL – What’s Left Mambo.png
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432. to David Daniels, Denver, CO – Buttercup Mambo
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Strange Fruit: Poems on the Death Penalty
I'm delighted to have work in a new anthology entitled: Strange Fruit: Poems on the Death Penalty. It was edited by Sarah Zale and Terry Persun and seeing that our shelter-in-place restrictions...
R.I.P. Michael McClure, 20-Oct-1932 – 4-May-2020
I will never forget meeting Michael McClure, interviewing him in 1995 at the old KZOK-FM studios on Queen Anne Hill, him taking me out for Vietnamese food saying lunch was "on Penguin" (his...
PEN America Emergency Writers Fund
Artists have to train themselves to not link their own self-esteem to outside validation. In THIS culture, the job is much harder because of what the composer Charles Wuorinen said to the New York...
How does one make literary art about this time in history that avoids rhetoric and facile political positioning in this era of the spectacle? How does one avoid being consumed by the simultaneous collapse of so many systems — some being eviscerated by people in positions designed to protect such systems? Deborah Poe has some idea based on her submission to the upcoming anthology Winter in America (Still.
Deborah is the author of several books of poetry including keep, Elements, and Our Parenthetical Ontology, as well as a novella in verse, Hélène. Her visual works–video poems and handmade book objects–have been exhibited throughout the US. She lives on stolen Coast Salish land, specifically the ancestral homeland of the Duwamish, Suquamish, Stillaguamish, and Muckleshoot People.
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