Paul E Nelson presenting at Cascadia Poetry Festival 8, photo by Leszek Chudzinski
Paul Nelson’s ongoing honing of the Day Song poetry event has produced some of the most lively and consequential verse of our time. How else write about the calamities and demands and mental/emotional/political consequences of the materialist apocalypse upon us, than an ongoing poesis of awareness and participation the anti-form the Day Song provides? Truly a praxis of proprioception and of Olson’s demand to “keep it moving…
– Sharon Thesen, Cascadian Poet/Scholar from B.C.
Sam Green’s ATBS Binding
Huge gratitude goes out to Washington's first Poet Laureate, Sam Green, who has bound my new book A Time Before Slaughter/Pig War: & Other Songs of Cascadia. He did it a week or so ago and sent...
Lewis MacAdams Dead
This was in the L.A. Times tonight: Lewis MacAdams, a poet and crusader for restoring the concrete Los Angeles River to a more natural state and co-founder of one of the most influential...
Documenting Pandemic
Thanks to POPO participant Linda Clifton, I learned about an essay by George Saunders in The New Yorker: A key paragraph for me: Are you keeping records of the e-mails and texts you’re getting, the...
A Time Before Slaughter/Pig War: & Other Songs of Cascadia
When the box of books arrives at your house and for the first time you hold your new book in your hand, it is quite an experience. I remember moving to Seattle in 2009 and having the first box of my...
POPO is Here (Early)
Faced with the prospect of not having any (in person) poetry readings for a while due to the novel Coronavirus (COVID-19) and self-isolation for several weeks, the SPLAB Board agreed with my notion...
(Streaming) Lyric World Conversations with Koon Woon
THIS EVENT HAS BEEN CANCELED DUE TO THE CURRENT COVID-19 PANDEMIC I was delighted to be part of an event that features a local poet who has been part of the Seattle literary scene for many years and...
Plugging Into the Current: The Immediacies of Daphne Marlatt’s Writing
I had a flurry of activity about a month ago. I prepared a talk for a poet's society with which I was engaged for a couple of months to serve as a sort of "dress rehearsal" for a talk at a...
A Time Before Slaughter/Pig War: & Other Songs of Cascadia
The tenth anniversary edition of A Time Before Slaughter is coming out on April 11 with a launch at Open Books. My publisher, Apprentice House, is adding a whole separate book to the new edition,...
Interview with Shin Yu Pai (Ensō)
Shin Yu Pai's new book, Ensō is categorized as a künstlerroman, an artist's novel, a class of bildungsroman or apprentice novel, that deals with the maturation of a young artist. Yet this is not...
DaySong Miracle (Past 62) Profiled on SICA-USA
I was delighted to see the SICA-USA blog post written about my new book DaySong Miracle (Past 62). I knew it was coming, but to read the way my Subud brother Jim O'Halloran handled the information...
Memory’s Vault (book)
I had the good fortune last Sunday (May 19) to be invited to participate in a reading at Memory's Vault to celebrate the publication of the Empty Bowl book Memory's Vault: The Poetic Heart of Fort...
Larry Lawrence at Jack Straw
Writing a blurb for a friend or associate's book is a difficult task. One has to be compelling, has to have some credibility regarding knowledge of the book's content and has to have a call to act,...
In Honor of David McCloskey “The Father of Cascadia”
David McCloskey passed away on July 3. In honor of his lifetime of work to create and spread a culture that was deeply connected to the Cascadian bioregion, Cascadian Prophets, which owes more than just its name to his work, we want to share this interview from October, 2013. Find it transcribed on our website.
To listen to the original audio of this interview, click here.
Check out more of what the Lab does here, and listen to more current and archival podcasts on Spotify or on our website.
In Honor of David McCloskey "The Father of Cascadia"
How does one make literary art about this time in history that avoids rhetoric and facile political positioning in this era of the spectacle? How does one avoid being consumed by the simultaneous collapse of so many systems — some being eviscerated by people in positions designed to protect such systems? Deborah Poe has some idea based on her submission to the upcoming anthology Winter in America (Still.
Deborah is the author of several books of poetry including keep, Elements, and Our Parenthetical Ontology, as well as a novella in verse, Hélène. Her visual works–video poems and handmade book objects–have been exhibited throughout the US. She lives on stolen Coast Salish land, specifically the ancestral homeland of the Duwamish, Suquamish, Stillaguamish, and Muckleshoot People.
Check out more of what the Lab does here, and listen to more current and archival podcasts on Spotify or on our website.
To get original poetry right in your mailbox this summer, check out the Poetry Postcard Fest.