Paul E Nelson presenting at Cascadia Poetry Festival 8, photo by Leszek Chudzinski
Paul Nelson’s ongoing honing of the Day Song poetry event has produced some of the most lively and consequential verse of our time. How else write about the calamities and demands and mental/emotional/political consequences of the materialist apocalypse upon us, than an ongoing poesis of awareness and participation the anti-form the Day Song provides? Truly a praxis of proprioception and of Olson’s demand to “keep it moving…
– Sharon Thesen, Cascadian Poet/Scholar from B.C.
Wanda Coleman (Soap Opera Writing and Editor’s Mind)
Thinking of spontaneous composition during the 12th August POetry POstcard Fest while editing a Wanda Coleman interview from Fall 2000. She was one of our favorite visitors to the NW SPokenword LAB,...
Annual Bradner Gardens Concert
On August 18, 2018, from 6:30 to 8:30pm, I will again participate in what is becoming like a ritual for me, reading poems with Jim O'Halloran's band at perhaps the best community garden in the city,...
Elegy for Tahlequah’s Calf
A recent poem of mine was published in Cascadia Magazine. It is dedicated to the "Father of Cascadia" who suggested someone write a poem about this tragic incident. Thank you David McCloskey and...
Notes on A Sense of the Whole (Reading Mark Gonnerman Reading Gary Snyder)
Mark Gonnerman was a participant in SPLAB's Becoming Cascadian retreat last spring. In 1997 he organized a yearlong research workshop on Gary Snyder's long poem Mountains and Rivers Without End....
2018 Postcard Participation
293 people are registered for the 12th August POetry POstcard Fest in 2018. Included are participants from Alberta (1), Alabama (9), Arkansas (1), Arizona (1), British Columbia (1), California (26),...
Postcard Impersonality
Reading Mark Gonnerman's book A Sense of the Whole: Reading Gary Snyder's Mountains and Rivers Without End I came to Tim Dean's essay on The Other Voice. In the essay he states that in his 40 year...
Postcards in the Park
Two editors of 56 Days of August and two contributors gathered yesterday at the annual Poets in the Park event in Redmond, Washington. Ina Roy-Faderman, Your Humble Narrator, Joanna Thomas and Matt...
Epistolary Poetry by Sam Hamill
I have been getting caught up on some of Sam Hamill's work since his death back in April. Last night reading from his 1981 book of "casual essays" or "over-the-shoulder" glances he titled At Home in...
Vince Balestri, Brian Kent, Eric Pollard (Sept 1997)
I finished cataloging the IPiPP/SPLAB archives today, Saturday, June 23, 2018, at 5:36pm, thanks to a 4Culture grant and I am digitizing as much as I can before the audio is transferred to its new...
Ed Sanders 2000 Interview
From the Archives: Interview 1 - 22:07 Interview 2 - 23:08 Show Opening - 4:10
Reading at Seattle U Philosophy Conference
I am delighted to be part of a poetry reading as part of The 14th Annual Meeting of the Pacific Association for the Continental Tradition at Seattle University. The reading will be Friday, September...
Bradner Gardens August 12
My annual appearance at Bradner Gardens with the Jim O'Halloran group is happening August 12, 2023 at 6pm and Lorna Dee Cervantes has been a late addition to the bill. The garden is a jewel of the...
Margin Shift August 3, 2023
Lorna Dee Cervantes has been added to the Margin Shift lineup for Thursday, August 3, 2023. I hope to see you there: Thursday, August 3, 2023 7pm Seattle Theosophical Library 717 Broadway Av E,...
How does one make literary art about this time in history that avoids rhetoric and facile political positioning in this era of the spectacle? How does one avoid being consumed by the simultaneous collapse of so many systems — some being eviscerated by people in positions designed to protect such systems? Deborah Poe has some idea based on her submission to the upcoming anthology Winter in America (Still.
Deborah is the author of several books of poetry including keep, Elements, and Our Parenthetical Ontology, as well as a novella in verse, Hélène. Her visual works–video poems and handmade book objects–have been exhibited throughout the US. She lives on stolen Coast Salish land, specifically the ancestral homeland of the Duwamish, Suquamish, Stillaguamish, and Muckleshoot People.
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