Paul E Nelson presenting at Cascadia Poetry Festival 8, photo by Leszek Chudzinski
Paul Nelson’s ongoing honing of the Day Song poetry event has produced some of the most lively and consequential verse of our time. How else write about the calamities and demands and mental/emotional/political consequences of the materialist apocalypse upon us, than an ongoing poesis of awareness and participation the anti-form the Day Song provides? Truly a praxis of proprioception and of Olson’s demand to “keep it moving…
– Sharon Thesen, Cascadian Poet/Scholar from B.C.
Bioregionalism in the Age of Crumbling Empire
It has been clear to me for a couple of decades now that WWIII is the planet vs. humans. Author and Nostradamus scholar John Hogue posited that in his 2000 book The Millennium Book of Prophecy, said...
The Cold Moon (A Greg Bem Production)
Greg Bem has a knack for creating events that while poetry based, transcend literary art. His own performances have always been closer to the "happenings" of performance art and Fluxus. Here is his...
Two Anthologies
I was delighted to participate in the open mic called Poetry Bridge, Wednesday, October 25, 2017, at the C&P Coffeehouse aka: West Seattle's Living Room. Leopoldo Seguel holds court, introduces...
Two Countries (Interview with Tina Schumann)
Two-Countries: US Daughters & Sons of Immigrant Parents is an anthology of flash memoir, personal essays, and poetry edited by Tina Schumann. The daughter of a Salvadoran immigrant has gathered...
Baptist Critique of Alabama “Christians”
I am not a regular browser of the Baptist News website, but thanks to a mild Twitter habit I cam across an article that makes SO MUCH SENSE to me regarding the death of real Christianity in the U.S....
Anne Tardos Readings in Seattle
Anne Tardos, French-born American poet, is the author of ten books of poetry, and editor of three collections of poetry by Jackson Mac Low. Her work has been translated and published in dozens of...
Gary Snyder, Dōgen, Jason Wirth & Our Ecological Crisis
In August of 2017 I had the good fortune to be invited to a reading to celebrate a new book by Jason Wirth. A professor of Philosophy at Seattle University and Zen Priest, Jason's new book...
Insanely Concentrated Wealth is Strangling Our Prosperity
“Insanely Concentrated Wealth Is Strangling Our Prosperity” is the title of a recent article on a website that proposes to offer ways in which we can, as a country, address what one amateur...
Brenda Hillman Interview (Letters on Fire)
I caught up with Brenda Hillman at her Northern California home August 4, 2017, and we had a lively discussion about her last book: Seasonal Works with Letters on Fire. In the first segment she...
Earshot Jazz Ballaké Sissoko & Vincent Segal
Earshot Jazz is in full swing, no pun intended. Seattle's long-running annual festival is an orgy for the ears and soul and I missed most of the Thelonious Monk @ 100 events, which is a shame, but...
Heavy Lifting Art Book
I am delighted to present an interview about the art book Heavy Lifting, a collaboration by Felicia Rice of Moving Parts Press and the poet Theresa Whitehill. Recorded Friday, March 25, 2023, via...
AWP Off-Site Events
The AWP Conference is in Seattle again (March 8-11) and 10,000 writers are expected to be in Seattle for the proceedings. (Come say hello to the Cascadia Poetics Lab at the bookfair table T1427.) We...
I Sing the Salmon Home
I'm delighted to have work in the new anthology curated by the outgoing Washington Poet Laureate Rena Priest. A postcard poem from 2022 was selected and I got this note from the publisher, Empty...
How does one make literary art about this time in history that avoids rhetoric and facile political positioning in this era of the spectacle? How does one avoid being consumed by the simultaneous collapse of so many systems — some being eviscerated by people in positions designed to protect such systems? Deborah Poe has some idea based on her submission to the upcoming anthology Winter in America (Still.
Deborah is the author of several books of poetry including keep, Elements, and Our Parenthetical Ontology, as well as a novella in verse, Hélène. Her visual works–video poems and handmade book objects–have been exhibited throughout the US. She lives on stolen Coast Salish land, specifically the ancestral homeland of the Duwamish, Suquamish, Stillaguamish, and Muckleshoot People.
Check out more of what the Lab does here, and listen to more current and archival podcasts on Spotify or on our website.
To get original poetry right in your mailbox this summer, check out the Poetry Postcard Fest.