Paul E Nelson presenting at Cascadia Poetry Festival 8, photo by Leszek Chudzinski
“Paul formally received the Mahayana precepts of Zen Buddhism in 2023, becoming a lay practitioner within the tradition, but I believe he had long lived in accord with them. His poetry, in its sensitivity, its humility, and its deep listening, embodies practice-realization — the understanding that practice and awakening are not separate. His writing was his zazen. This collection, FLEXIBLE MIND, is more than a book. It is a continuation of that practice. A testament to a man who lives by attention, who bows to language but does not cling to it, who seeks what lays beyond words by walking straight into them.”– Kosho Itagaki, Soto Zen Priest
Death Rattle, WA 129, Postcards, Cascadia Po Fest
It used to be that the summer in Seattle had very little in the way of literary arts events. When Labor Day weekend came around, poets got caught up at Bumbershoot at the Bookfair and the Sunday...
Death Rattle, Postcard Panel, IndieGoGo Request
Some events of note for those interested in my work: Monday, October 2, 2017, I have been invited to read for the Striped Water Poets in Auburn, Washington at the Rainbow Cafe, 7pm, 112 E. Main...
Cascadia in Cumberland
A comprehensive review of what I experienced in Cumberland, BC, at the first Cascadia Poetry Festival requires more bandwidth than I have right now, but a few thoughts. I as delighted to have Jared...
Postcards Never End
Although the August Poetry Postcard Fest is over (it IS September after all) cards I sent out on the 31st have probably not arrived at their final destination and the APPF Facebook group is still...
CPF-Cumberland
Cascadia Poetry Festival in Cumberland
In August 2014, I attended the Subud World Congress in Puebla, Mexico. It was my first World Congress and it was life-changing. While there I was urged to get involved in the Subud International...
August 2017 Poetry Postcard Fest Afterword
Nothing signifies the end of summer in Cascadia like rain and it is raining as I write this. This year especially. 60+ days of no measurable precipitation makes me feel a little guilty about all the...
Important Dates
Summer is supposed to be a lazy time with a lot of loafing, picnics, softball, kayak rides and other ways in which -- as George Gershwin put it - "the livin' is easy." Throw in year 11 of a poetry...
Postcards for Charlottesville
From Lucia Sanford: Dear Paul, This is my third year participating in the Postcard Poetry Fest. I live in Charlottesville, Virginia. I am still too raw and stunned to write a personal note or poem...
Oct 9 Postcard Panel
It's in YEAR ELEVEN which is hard to believe, but the August Poetry Postcard Fest started in 2007 by Lana Ayers and me is going as well as it ever has. With the launch of the poetry postcard...
FLEXIBLE MIND poem 28-JAN-2023 If you arouse the thought of bringing
I was gifted another poem in the series FLEXIBLE MIND yesterday. That I am studying Zen now is a huge asset to this series of poems based on a Michael McClure poem from his series Touching The Edge:...
Negative Capability in Painting
I am delighted to have been accorded the pleasure of moderating a panel of painters on the subject of Negative Capability. Details:Gallery 110 will be hosting a panel discussion featuring Carol...
Brenda Hillman Interview on In A Few Minutes Before Later
On December 12, 2022 I had the honor to again interview Brenda Hillman. This time it was on Zoom about her new book In A Few Minutes Before Later. The audio is available as part of the Cascadian...
How does one make literary art about this time in history that avoids rhetoric and facile political positioning in this era of the spectacle? How does one avoid being consumed by the simultaneous collapse of so many systems — some being eviscerated by people in positions designed to protect such systems? Deborah Poe has some idea based on her submission to the upcoming anthology Winter in America (Still.
Deborah is the author of several books of poetry including keep, Elements, and Our Parenthetical Ontology, as well as a novella in verse, Hélène. Her visual works–video poems and handmade book objects–have been exhibited throughout the US. She lives on stolen Coast Salish land, specifically the ancestral homeland of the Duwamish, Suquamish, Stillaguamish, and Muckleshoot People.
Check out more of what the Lab does here, and listen to more current and archival podcasts on Spotify or on our website.
To get original poetry right in your mailbox this summer, check out the Poetry Postcard Fest.