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PAUL E NELSON

Cascadia Poetry Festival 8 Paul E Nelson at the microphone

Paul E Nelson presenting at Cascadia Poetry Festival 8, photo by Leszek Chudzinski

Paul formally received the Mahayana precepts of Zen Buddhism in 2023, becoming a lay practitioner within the tradition, but I believe he had long lived in accord with them. His poetry, in its sensitivity, its humility, and its deep listening, embodies practice-realization — the understanding that practice and awakening are not separate. His writing was his zazen. This collection, FLEXIBLE MIND, is more than a book. It is a continuation of that practice. A testament to a man who lives by attention, who bows to language but does not cling to it, who seeks what lays beyond words by walking straight into them.– Kosho Itagaki, Soto Zen Priest

Visiting Jaco’s Grave

It is hard to believe that it's been almost twenty years since the legendary bassist for Weather Report, Jaco Pastorius, died due to complications from a beating he took from a bouncer at a South...

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Some 2016 American Sentences

I used to post my best American Sentences at the end of every year, or shortly into the new one. But once I published my first book of such poems, I thought it best for people who got something out...

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Racist Cascadia?

I was tagged in a Facebook post today because it was related to the concept of Cascadia and due to my work as a bioregionalist in the bioregion known by some as Cascadia. The post by Brian McCracken...

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PC or 21st Century?

I have had a fascinating and enlightening dialog with an editor and Disability Activist that ended up with the publication of my (slightly) edited love poem for 2016 in a e-journal that puts me in...

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Cumberland, Desolation Sound, BC

What a way to end 2016 and bring in 2017, but in a heated outdoor bathtub on the water! Bhakti and I are guests of Gary Hamilton and Adelia (Nicola) MacWilliam, as we're working with Adelia to...

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Bury 2016

2016 is a good year to bury things. How many years get their own self-deprecating meme? And the notables who died this year is impressive, if you're impressed by death: Muhammad Ali, David Bowie,...

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In Person and Online Workshops

In Person and Online Workshops

It has become part of an annual rhythm thanks to the pandemic and the emergence of Zoom. Coming after the Poetry Postcard Fest is the workshop season. For two years it has only been online. While...

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9.28.2022 @ Underbelly

9.28.2022 @ Underbelly

  Once I survived the promotional photo shoot for the Underbelly reading, I was ready for the event. I'll be part of a reading in Pioneer Square with: underbelly       every last Wednesday ...

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Nuchatlitz, Artful

Nuchatlitz, Artful

Bhakti and I were delighted to have been offered a chance to visit Nuchatlitz, BC, thanks to Adelia MacWilliam and Shannon Bailey. It required a long drive to Tahsis, BC, with a ferry just to get...

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Deborah Poe

How does one make literary art about this time in history that avoids rhetoric and facile political positioning in this era of the spectacle? How does one avoid being consumed by the simultaneous collapse of so many systems — some being eviscerated by people in positions designed to protect such systems?  Deborah Poe has some idea based on her submission to the upcoming anthology Winter in America (Still.

Deborah is the author of several books of poetry including keep, Elements, and Our Parenthetical Ontology, as well as a novella in verse, Hélène. Her visual works–video poems and handmade book objects–have been exhibited throughout the US. She lives on stolen Coast Salish land, specifically the ancestral homeland of the Duwamish, Suquamish, Stillaguamish, and Muckleshoot People.

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Deborah Poe on "flagging the apocalypse pageantry"

by Paul E Nelson