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PAUL E NELSON

Cascadia Poetry Festival 8 Paul E Nelson at the microphone

Paul E Nelson presenting at Cascadia Poetry Festival 8, photo by Leszek Chudzinski

Paul Nelson’s ongoing honing of the Day Song poetry event has produced some of the most lively and consequential verse of our time. How else write about the calamities and demands and mental/emotional/political consequences of the materialist apocalypse upon us, than an ongoing poesis of awareness and participation the anti-form the Day Song provides? Truly a praxis of proprioception and of Olson’s demand to “keep it moving…
– Sharon Thesen, Cascadian Poet/Scholar from B.C.

The Road Diet Starts at My House

(Huge thanks to Marcus Green for publishing my essay on the success of the Rainier Avenue South Road Diet. Click on photo to see it on the South Seattle Emerald website along with some other...

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James Baldwin Is Not…

Last Friday I saw, for the second time, the Raoul Peck masterpiece "I Am Not Your Negro." A very astute New York Times review by A.O. Scott suggests that the film utilizing the words of James...

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#Ides of Trump (A Postcard Project)

Here's one of those Facebook memes that when I first saw it I thought "I'll pay attention if it comes around again." Then August Poetry Postcarder Alley Greymond re-posted it, so I shared it and am...

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Visiting Jaco’s Grave

It is hard to believe that it's been almost twenty years since the legendary bassist for Weather Report, Jaco Pastorius, died due to complications from a beating he took from a bouncer at a South...

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Some 2016 American Sentences

I used to post my best American Sentences at the end of every year, or shortly into the new one. But once I published my first book of such poems, I thought it best for people who got something out...

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Racist Cascadia?

I was tagged in a Facebook post today because it was related to the concept of Cascadia and due to my work as a bioregionalist in the bioregion known by some as Cascadia. The post by Brian McCracken...

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Deborah Poe

How does one make literary art about this time in history that avoids rhetoric and facile political positioning in this era of the spectacle? How does one avoid being consumed by the simultaneous collapse of so many systems — some being eviscerated by people in positions designed to protect such systems?  Deborah Poe has some idea based on her submission to the upcoming anthology Winter in America (Still.

Deborah is the author of several books of poetry including keep, Elements, and Our Parenthetical Ontology, as well as a novella in verse, Hélène. Her visual works–video poems and handmade book objects–have been exhibited throughout the US. She lives on stolen Coast Salish land, specifically the ancestral homeland of the Duwamish, Suquamish, Stillaguamish, and Muckleshoot People.

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Deborah Poe on "flagging the apocalypse pageantry"

by Paul E Nelson