Paul E Nelson presenting at Cascadia Poetry Festival 8, photo by Leszek Chudzinski
Paul Nelson’s ongoing honing of the Day Song poetry event has produced some of the most lively and consequential verse of our time. How else write about the calamities and demands and mental/emotional/political consequences of the materialist apocalypse upon us, than an ongoing poesis of awareness and participation the anti-form the Day Song provides? Truly a praxis of proprioception and of Olson’s demand to “keep it moving…
– Sharon Thesen, Cascadian Poet/Scholar from B.C.
2017 August POetry POstcard Fest is Coming
The call for the eleventh year of the August Poetry Postcard Fest goes out July 4, 2017, and registration opens then. Like last year, as soon as 32 participating poets get signed up, the list will...
Poetry Wars Revived
Most of the LANGPO vs. Black Mountain poetry war was fought before I was invested in poetry, so I have done my best to catch up, but a recrudescence has emerged thanks to Dispatches, a website...
Cultural Appropriation or Appreciation
oIs it Cultural Appropriation or Cultural Appreciation? Can you tell the difference? Is close reading dead? The issue of cultural appropriation has flared up in the last ten days or so thanks to The...
Neukom Vivarium Variations
It is part public art sculpture, part environmental education project. Unlike any other art project one can imagine, the Neukom Vivarium in Seattle’s Olympic Sculpture Park is a nurse log...
Evan Flory-Barnes Interview
On Tuesday, April 25, 2017, I sat down with bassist, composer and Seattle native Evan Flory-Barnes in my apartment in the Angeline to discuss his work, his vision for Seattle's arts community and...
Notes on the Poetics of Resistance
Resistance is in the air thanks to the election of SCROTUS, the So Called Ruler of the United States. I've written about Resist Much, Obey Little: Inaugural Poems to the Resistance and have read my...
Greyhounds & Activism @ Angeline
Start with two rescued Greyhound dogs, add two vegans (a mother and daughter) and move them to a large apartment building in a rapidly gentrifying neighborhood (Columbia City) and what do you get?...
Responding to Ethelbert
I first met Ethelbert Miller in 1994, when I knew nothing about poetry and he was touring with the book "In Search of Color Everywhere: A Collection of African-American Poetry." We've stayed in...
PageBoy Magazine Writers on Writers
When I was asked for writing about a writer by Thomas Walton of Pageboy Magazine, I immediately thought of my homage to Sam Hamill, written in 2014 and written after the Kenneth Rexroth poem "A...
Nina Menkes Producer of Brainwashed: Sex Camera Power
Thanks to a member of my Subud spiritual community, I was alerted to a new documentary about gender relations in Hollywood and a thesis by a director that says the "visual rhetoric" of camera angles...
Poetics as Cosmology Workshops in Des Moines
I am grateful to 4Culture and the Des Moines Arts Commission for the support of three free workshops next month. Poetics as Cosmology is the title of a workshop I have been facilitating online for...
Interview with Claudia Castro Luna in Poetry NW
I'm delighted to have a version of my June 2022 interview with Claudia Castro Luna published in Poetry NW. Thank you Bill Carty. Here is an excerpt: There’s war raging in Ukraine, a general feeling...
In Honor of David McCloskey “The Father of Cascadia”
David McCloskey passed away on July 3. In honor of his lifetime of work to create and spread a culture that was deeply connected to the Cascadian bioregion, Cascadian Prophets, which owes more than just its name to his work, we want to share this interview from October, 2013. Find it transcribed on our website.
To listen to the original audio of this interview, click here.
Check out more of what the Lab does here, and listen to more current and archival podcasts on Spotify or on our website.
In Honor of David McCloskey "The Father of Cascadia"
How does one make literary art about this time in history that avoids rhetoric and facile political positioning in this era of the spectacle? How does one avoid being consumed by the simultaneous collapse of so many systems — some being eviscerated by people in positions designed to protect such systems? Deborah Poe has some idea based on her submission to the upcoming anthology Winter in America (Still.
Deborah is the author of several books of poetry including keep, Elements, and Our Parenthetical Ontology, as well as a novella in verse, Hélène. Her visual works–video poems and handmade book objects–have been exhibited throughout the US. She lives on stolen Coast Salish land, specifically the ancestral homeland of the Duwamish, Suquamish, Stillaguamish, and Muckleshoot People.
Check out more of what the Lab does here, and listen to more current and archival podcasts on Spotify or on our website.
To get original poetry right in your mailbox this summer, check out the Poetry Postcard Fest.