Paul E Nelson presenting at Cascadia Poetry Festival 8, photo by Leszek Chudzinski
“Paul formally received the Mahayana precepts of Zen Buddhism in 2023, becoming a lay practitioner within the tradition, but I believe he had long lived in accord with them. His poetry, in its sensitivity, its humility, and its deep listening, embodies practice-realization — the understanding that practice and awakening are not separate. His writing was his zazen. This collection, FLEXIBLE MIND, is more than a book. It is a continuation of that practice. A testament to a man who lives by attention, who bows to language but does not cling to it, who seeks what lays beyond words by walking straight into them.”– Kosho Itagaki, Soto Zen Priest
Denise Levertov Plaque
I've never attempted anything like this before, but have had some potential poetry plaques that were discussed, but plans fell through. This one is going to happen. I am working with Jayne DeHaan of...
Demise of Mental-Rational Ontology
It never ceases to amaze to me to see how connections in this world are made, how, in the words of Michael McClure: "We swirl out what we are and watch what returns." Case in point, a lodger coming...
2016 Postcards I Got (Video)
There's not much more I can say about the 2016 August Poetry Postcard Fest that I did not say in the first of two videos that I created today (Sept 7, 2016): And to pick out highlights is so...
August Poetry Postcard Fest 2016 Afterword
Such a bittersweet feeling to drop off my last three poetry postcards at the post office. Even though there is a mailbox downstairs here at the swinging Angeline and a mailbox on the corner of...
Chani Nicholas, Latihan and Postcards
I love it when different parts of my life intersect, reinforce, inform one another, validate, how ever you want to put it. It took an Einstein, I am told, to say: "Coincidence is God's way of...
Lawrence Paul Yuxweluptun Interview
On August 6, 2016, I was honored to have a rare opportunity to interview Lawrence Paul Yuxweluptun, one of the most brilliant painters in Cascadia. His work is also the subject of Unceded...
Annual Bradner Gardens Reading
I get to read Saturday with the Jim O'Halloran Quintet at Bradner Gardens, which is always a gas. The band is amazing and Jim always takes time to work out an intelligent plan to accompany my work....
Primal Fear
It was coming out of the canoe and walking up the path at the North Leschi Marina with my daughter Rebecca, as my partner Bhakti rowed on in her canoe on Lake Washington that it hit me. The...
Postcard Gift
It is the tenth year of the August Poetry Postcard Fest and as I was taking an afternoon walk this past weekend, it hit me - what a gift this annual event is through and through. Having so many...
Ten Years of Postcard Fest
The tenth year of the August POetry POstcard Fest is under way and there are seven full groups of 32 poets, 224 participants in all, which is a record for the fee era. And there are participants...
Baler Reviews Haibun de la Serna
I can't begin to tell you how thrilled I am with Pablo Baler's review of my latest book Haibun de la Serna in the new edition of Exacting Clam. He was the person who introduced me to the work of...
Interview on the Found Poems of J.I. Kleinberg
We caught up on May 16, 2022, with longtime Poetry Postcard Fest participant Judy J.I. Kleinberg about her exhibit at the Peter Miller Books in Seattle's Pioneer Square neighborhood. J.I. Kleinberg...
Inside the Day Song (Workshop)
Get your five page handout loaded with links, prompts and inspirations if you register for this one day workshop before June 10. Take a look inside the course materials from our current workshop...
How does one make literary art about this time in history that avoids rhetoric and facile political positioning in this era of the spectacle? How does one avoid being consumed by the simultaneous collapse of so many systems — some being eviscerated by people in positions designed to protect such systems? Deborah Poe has some idea based on her submission to the upcoming anthology Winter in America (Still.
Deborah is the author of several books of poetry including keep, Elements, and Our Parenthetical Ontology, as well as a novella in verse, Hélène. Her visual works–video poems and handmade book objects–have been exhibited throughout the US. She lives on stolen Coast Salish land, specifically the ancestral homeland of the Duwamish, Suquamish, Stillaguamish, and Muckleshoot People.
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