Paul E Nelson presenting at Cascadia Poetry Festival 8, photo by Leszek Chudzinski
Paul Nelson’s ongoing honing of the Day Song poetry event has produced some of the most lively and consequential verse of our time. How else write about the calamities and demands and mental/emotional/political consequences of the materialist apocalypse upon us, than an ongoing poesis of awareness and participation the anti-form the Day Song provides? Truly a praxis of proprioception and of Olson’s demand to “keep it moving…
– Sharon Thesen, Cascadian Poet/Scholar from B.C.
Primal Fear
It was coming out of the canoe and walking up the path at the North Leschi Marina with my daughter Rebecca, as my partner Bhakti rowed on in her canoe on Lake Washington that it hit me. The...
Postcard Gift
It is the tenth year of the August Poetry Postcard Fest and as I was taking an afternoon walk this past weekend, it hit me - what a gift this annual event is through and through. Having so many...
Ten Years of Postcard Fest
The tenth year of the August POetry POstcard Fest is under way and there are seven full groups of 32 poets, 224 participants in all, which is a record for the fee era. And there are participants...
Ina Roy-Faderman’s Postcard Testimonial
From Ina Roy-Faderman: “All I ever wanted was to reach out and touch another human being not just with my hands but with my heart.” ― Tahereh Mafi, Shatter Me Like a lot of writers, I’m a bit of a...
August Poetry Postcard Fest Official Call Year Ten
The August Poetry Postcard Fest was initiated in 2007 by poets Paul Nelson and Lana Ayers. 2016 marks the tenth year of the fest and this is your official call. Directions to participate in the fest...
Angeline Roof Summer Solstice
Greg Bem organized one of his very lively events this past Monday night, June 20, 2016, as an open reading and Summer Solstice celebration. That the occasion also featured a Full Moon, the...
Sarah de Leeuw Skeena (Interview)
On May 30, 2016, I had a chance to chat with Sarah de Leeuw, a poet with work published in Make It True: Poetry From Cascadia. Her new book is Skeena, a book-length poem about one of the largest...
Hugo House Out, Whole Foods In
Seattle had the second or third highest rent increase of cities in the U.S. in 2015 depending on how you figure it. Regardless, the housing market here is insane. Is anything sacred? No. Across the...
56 Days of August (The August Postcard Fest Anthology)
From Ina Roy: The yearly August Postcard Poetry Festival has become an international event. To celebrate the 10th year of the Fest and the community that has developed around it, we will be creating...
Are You Stockpiling Postcards?
The 10th August Poetry Postcard Fest begins on July 4. Registration begins that day here: Buy tickets for August POetry POstcard Fest And poems from this year's fest can be submitted for the 1st...
Baler Reviews Haibun de la Serna
I can't begin to tell you how thrilled I am with Pablo Baler's review of my latest book Haibun de la Serna in the new edition of Exacting Clam. He was the person who introduced me to the work of...
Interview on the Found Poems of J.I. Kleinberg
We caught up on May 16, 2022, with longtime Poetry Postcard Fest participant Judy J.I. Kleinberg about her exhibit at the Peter Miller Books in Seattle's Pioneer Square neighborhood. J.I. Kleinberg...
Inside the Day Song (Workshop)
Get your five page handout loaded with links, prompts and inspirations if you register for this one day workshop before June 10. Take a look inside the course materials from our current workshop...
How does one make literary art about this time in history that avoids rhetoric and facile political positioning in this era of the spectacle? How does one avoid being consumed by the simultaneous collapse of so many systems — some being eviscerated by people in positions designed to protect such systems? Deborah Poe has some idea based on her submission to the upcoming anthology Winter in America (Still.
Deborah is the author of several books of poetry including keep, Elements, and Our Parenthetical Ontology, as well as a novella in verse, Hélène. Her visual works–video poems and handmade book objects–have been exhibited throughout the US. She lives on stolen Coast Salish land, specifically the ancestral homeland of the Duwamish, Suquamish, Stillaguamish, and Muckleshoot People.
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