Paul E Nelson presenting at Cascadia Poetry Festival 8, photo by Leszek Chudzinski
Paul Nelson’s ongoing honing of the Day Song poetry event has produced some of the most lively and consequential verse of our time. How else write about the calamities and demands and mental/emotional/political consequences of the materialist apocalypse upon us, than an ongoing poesis of awareness and participation the anti-form the Day Song provides? Truly a praxis of proprioception and of Olson’s demand to “keep it moving…
– Sharon Thesen, Cascadian Poet/Scholar from B.C.
515. Other Demons
In this latest 2015 August Poetry Postcard poem, again a great Kyger quote which makes me think of field poetics, a subject her friend Robert Duncan had a thing or two to say about. Also a reference...
EBSN4 Report – Brussels
I'm back from an epic trip to Brussels, Belgium, where I attended the 4th European Beat Studies Network Conference. I had a chance to interview Polina McKay, one of the co-founders of the Network....
American Sentences at Andaluz! Nov 8
Hey, I am re-posting this with a sincere request to you to consider attending this event and hang out after somewhere in Columbia City. This book has been 14 years in the making & the form,...
Giverny & Rouen Cathedral
I am honored to have been included in the 4th European Beat Studies Network conference, which is happening now in Brussels, Belgium. I was last in Brussels in 2010 for the Tools of the Sacred...
514. Supple in Seattle
More Salish art and a poem resulting from what the postcard fest instructions suggested since year 1, that is “something of the here and now” should/could get into the poem. That’s what postcards...
George Bowering – My Darling Nellie Grey
George Bowering, (born December 1, 1935) was Canada's first Parliamentary Poet Laureate, is author of more than 90 books, and is the best-known of TISH group of poets based in Vancouver in the early...
513. Summer Desk Avalanche
The latest poem from the 2015 August Poetry Postcard Fest. (See other poems here.) A Georgia O’Keeffe card and great epigraph from Joanne Kyger, the composition of which affected the content. (Wait...
Notes for Personal Myth and Genius Loci
(Workshop given at Tacoma Poetry Festival, Saturday, October 17, 2015) Personal Myth, Place, Genius Loci – Paul Nelson What is the myth you are living? Your Personal Mythology, relationship to place...
Divorce and Yoga Windows
After 1,909 days of marriage to Meredith A. (Sedlachek) Nelson, our union ended with a whimper in the King County Courthouse on Thursday (Oct 15, 2015) followed by a Cajun Meal at Marcela's Creole...
American Sentences Press Release
For Immediate Release October 10, 2015 For more information, contact: Kevin Atticks, director 410-617-5529 apprenticehouse@loyola.edu Paul Nelson, author (206) 422.5002 splabman...
Beat Breath for EBSN
I am delighted to continue my association with the European Beat Studies Network again this Sunday, as part of their 2021 Zoom conference. I am also delighted to present on the topic of Beat Breath...
Seriality (A 2022 Workshop:
In this workshop we take the methods and the organismic stance toward poetics (& life) and continue to investigate how to deepen one’s own work and life through spontaneous writing, rituals,...
Notes for American Sentences Talk to Haiku Koma Kulshan
Thanks to C.J. Prince and John Green of Haiku Koma Kulshan, I was invited to give a talk about American Sentences on Saturday, October 9, 2021 via Zoom to their Haiku group. I was given some topics...
How does one make literary art about this time in history that avoids rhetoric and facile political positioning in this era of the spectacle? How does one avoid being consumed by the simultaneous collapse of so many systems — some being eviscerated by people in positions designed to protect such systems? Deborah Poe has some idea based on her submission to the upcoming anthology Winter in America (Still.
Deborah is the author of several books of poetry including keep, Elements, and Our Parenthetical Ontology, as well as a novella in verse, Hélène. Her visual works–video poems and handmade book objects–have been exhibited throughout the US. She lives on stolen Coast Salish land, specifically the ancestral homeland of the Duwamish, Suquamish, Stillaguamish, and Muckleshoot People.
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