Cascadia Poetics LAB logo

PAUL E NELSON

Cascadia Poetry Festival 8 Paul E Nelson at the microphone

Paul E Nelson presenting at Cascadia Poetry Festival 8, photo by Leszek Chudzinski

Paul formally received the Mahayana precepts of Zen Buddhism in 2023, becoming a lay practitioner within the tradition, but I believe he had long lived in accord with them. His poetry, in its sensitivity, its humility, and its deep listening, embodies practice-realization — the understanding that practice and awakening are not separate. His writing was his zazen. This collection, FLEXIBLE MIND, is more than a book. It is a continuation of that practice. A testament to a man who lives by attention, who bows to language but does not cling to it, who seeks what lays beyond words by walking straight into them.– Kosho Itagaki, Soto Zen Priest

Some 2015 Postcard Highlights

Autumn came in with a bang yesterday, three weeks early. (Damage is said to be in the tens of millions of dollars.) It's odd, but early Spring and early Summer this year were greeted with great joy....

read more

506. Curved Projections

This is the first "official" poetry postcard of mine for 2015, year 9. I sent out one "practice card" to someone from last year's list, but THIS year I decided to use Joanne Kyger's new book On Time...

read more

Model Session

It has been about 15 years since I last sat for painters, one of them Joan Treat, who created this painting which I bought immediately: But the session last week at the studio of Amanda Teicher was...

read more

Two Gigs This Week

I am not a fan of public readings in Seattle summer and ESPECIALLY during August, the month of POSTCARDS but here are two, one Friday night (Aug 28) and one Saturday night (Aug 29) in Seattle: An...

read more

G.P. Lainsbury’s Cascadia Transit

Greg (GP) Lainsbury, Professor in the English department at Northern Lights College, Fort St. John, BC is another of the poets with work published in Make It True: Poetry From Cascadia. On July 29,...

read more

506. Curved Projections

The second poem from the 2015 August Poetry Postcard Fest, this one is really the first, since #505 was a dry run and #506 starts the poems that all lead off with a quote from Joanne Kyger. And I am...

read more
Make it True Meets Medusario

Make it True Meets Medusario

Edited by Jose Kozer, Paul E Nelson, and Thomas Walton Make It True meets Medusario, a bilingual poetry anthology, brings together poets from divergent languages, cultures, and aesthetics to create...

read more
Deborah Poe

How does one make literary art about this time in history that avoids rhetoric and facile political positioning in this era of the spectacle? How does one avoid being consumed by the simultaneous collapse of so many systems — some being eviscerated by people in positions designed to protect such systems?  Deborah Poe has some idea based on her submission to the upcoming anthology Winter in America (Still.

Deborah is the author of several books of poetry including keep, Elements, and Our Parenthetical Ontology, as well as a novella in verse, Hélène. Her visual works–video poems and handmade book objects–have been exhibited throughout the US. She lives on stolen Coast Salish land, specifically the ancestral homeland of the Duwamish, Suquamish, Stillaguamish, and Muckleshoot People.

Check out more of what the Lab does here, and listen to more current and archival podcasts on Spotify or on our website.

To get original poetry right in your mailbox this summer, check out the Poetry Postcard Fest.

Deborah Poe on "flagging the apocalypse pageantry"

by Paul E Nelson