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PAUL E NELSON

Cascadia Poetry Festival 8 Paul E Nelson at the microphone

Paul E Nelson presenting at Cascadia Poetry Festival 8, photo by Leszek Chudzinski

Paul Nelson’s ongoing honing of the Day Song poetry event has produced some of the most lively and consequential verse of our time. How else write about the calamities and demands and mental/emotional/political consequences of the materialist apocalypse upon us, than an ongoing poesis of awareness and participation the anti-form the Day Song provides? Truly a praxis of proprioception and of Olson’s demand to “keep it moving…
– Sharon Thesen, Cascadian Poet/Scholar from B.C.

493. Rose Petals & Chicharrónes

The latest postcard poem from the 2014 August Poetry Postcard Fest. August 19, 2014, Seattle, WA "Holiness does not dissolve, it is a presence / of bronze." - Denise Levertov The Cholula sacramental...

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Videopoem Version of Dispatch

A re-post here of a recent postcard poem. I met Kyle McCormick playing basketball in Columbia City. yes, I've been dragging my 53 year old ass onto the court again and have had some very good games...

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Airbnb, Microhousing & Seattle Nice

As I continue with a long-term cultural investigation of the bioregion in which I live, Cascadia, an investigation that includes a (hopefully) annual poetry festival, a Massive Open Online Course on...

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American Sentences June-Oct

The latest harvest of 17 syllable poems from my daily discipline. See more about the form at www.AmericanSentences.com and thanks for reading. Comments welcome. 6.26.14 - Driving 34 a cherry pit’s...

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491. Uncommon Speech

This 2014 August Poetry postcard was written in Puebla, Mexico, while I was there to attend the 14th Subud World Congress. 491. Uncommon Speech is one of my favorite postcard poems from 2014. It...

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490. Bronzing Mexican Air

Another 2014 August Poetry Postcard Poem written in Puebla, Mexico, when I was attending the 14th Subud World Congress. Again a reference to Pablo Vargas Lugo and the exhibit at Museo Amparo.

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489. Bandera de la Mariposa

489. Bandera de la Mariposa is a reference to an exhibit at Museo Amparo in Puebla, Mexico that was running during the recent Subud World Congress. A beautiful museum in a restored colonial...

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A Reading of Projective Verse

A Reading of Projective Verse

This post has been edited to include video of the reading of the seminal Charles Olson essay Projective Verse: It was October 1995 and I had just finished lunch with Michael McClure, the day I met...

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1.1.2021 American Sentence

1.1.2021 - 2020 was taken out to the alley & shot in the head. 12.31.2020 marked the completion of twenty years of daily practice of composing American Sentences. (17 syllable poems, a form...

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Deborah Poe

How does one make literary art about this time in history that avoids rhetoric and facile political positioning in this era of the spectacle? How does one avoid being consumed by the simultaneous collapse of so many systems — some being eviscerated by people in positions designed to protect such systems?  Deborah Poe has some idea based on her submission to the upcoming anthology Winter in America (Still.

Deborah is the author of several books of poetry including keep, Elements, and Our Parenthetical Ontology, as well as a novella in verse, Hélène. Her visual works–video poems and handmade book objects–have been exhibited throughout the US. She lives on stolen Coast Salish land, specifically the ancestral homeland of the Duwamish, Suquamish, Stillaguamish, and Muckleshoot People.

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Deborah Poe on "flagging the apocalypse pageantry"

by Paul E Nelson