Paul E Nelson presenting at Cascadia Poetry Festival 8, photo by Leszek Chudzinski
“Paul formally received the Mahayana precepts of Zen Buddhism in 2023, becoming a lay practitioner within the tradition, but I believe he had long lived in accord with them. His poetry, in its sensitivity, its humility, and its deep listening, embodies practice-realization — the understanding that practice and awakening are not separate. His writing was his zazen. This collection, FLEXIBLE MIND, is more than a book. It is a continuation of that practice. A testament to a man who lives by attention, who bows to language but does not cling to it, who seeks what lays beyond words by walking straight into them.”– Kosho Itagaki, Soto Zen Priest
486. Tormenta Gigante
My recent trip to Mexico was quite an experience. My real first visit since I was a little boy (I did see the airport in Cancun in 2005) my parents told me that back then all I wanted in Mexico was...
485. El Espejo
Another 2014 August postcard poem today and some of the background. One of the first really powerful moments for me at the 14th Subud World Congress when I did "testing" on a personal issue that has...
Levertov, Postcards & Language of Birds
As I have mentioned in previous posts, I used epigraphs by Denise Levertov for all my postcard poems in 2014, and deepened my appreciation for her gesture. I can see why she ended up in Cascadia,...
Cracker Climate Refugees Coming to Cascadia
Was going over last year's journal entry for this date and came across John Olson's wonderful birthday poem for me, as well as some of his comments regarding my essay Organic In Cascadia: A Sequence...
483. Iniciador
My poems written in Mexico in August are starting to arrive at their intended destinations and so I continue with the posting here. The last few lines from this poem are taken almost verbatim from a...
The Postcards I Got
At last count, forty poetry postcards came my way as part of the 2014 August Poetry Postcard Fest. Having just completed its eighth year, the fest is an effort to build community, to allow...
Stephen Collis, Cascadia Po Fest Closing Reading
One of the high points for me at the 2nd Cascadia Poetry Festival May 2014, at Seattle U and Spring Street Center in Seattle, was hearing Stephen Collis read. He may be the quintessential Cascadia...
482. Corset Warrior Armor
This is the first of my poems written in Mexico for the 2014 August Poetry Postcard Fest. For more details on all the postcard poems I wrote in 2014 see this page. This poem, like many in Mexico,...
Postcards From the Wilderness
I got back yesterday from a short (annual) backpacking trip to the Olympic National Wilderness. I have tried each year to recreate a 1995 experience of visiting the Olympic Mountains, specifically...
481. Dispatch From the Fringe
This is the second of two intentional collage poems I wrote during the 2014 August Poetry Postcard Fest. (More on all my 2014 postcard poems here.)
12.9.2020 American Sentence
The end of 2020 (aside from spawning millions of "good riddance" celebrations) marks the completion of twenty years of daily practice of American Sentences. These (usually) 17 syllable poems, a form...
FLEXIBLE MIND December 3, 2020
Rainier Beach Arts & Crafts Market
I am delighted to be part of the Rainier Beach Arts & Crafts Market, Saturday, December 5 from 11am to 3pm. Thanks to Ellen VanderWey, I'll be displaying books at 8735 Hamlet Ave S, a couple of...
How does one make literary art about this time in history that avoids rhetoric and facile political positioning in this era of the spectacle? How does one avoid being consumed by the simultaneous collapse of so many systems — some being eviscerated by people in positions designed to protect such systems? Deborah Poe has some idea based on her submission to the upcoming anthology Winter in America (Still.
Deborah is the author of several books of poetry including keep, Elements, and Our Parenthetical Ontology, as well as a novella in verse, Hélène. Her visual works–video poems and handmade book objects–have been exhibited throughout the US. She lives on stolen Coast Salish land, specifically the ancestral homeland of the Duwamish, Suquamish, Stillaguamish, and Muckleshoot People.
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