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PAUL E NELSON

Cascadia Poetry Festival 8 Paul E Nelson at the microphone

Paul E Nelson presenting at Cascadia Poetry Festival 8, photo by Leszek Chudzinski

Paul Nelson’s ongoing honing of the Day Song poetry event has produced some of the most lively and consequential verse of our time. How else write about the calamities and demands and mental/emotional/political consequences of the materialist apocalypse upon us, than an ongoing poesis of awareness and participation the anti-form the Day Song provides? Truly a praxis of proprioception and of Olson’s demand to “keep it moving…
– Sharon Thesen, Cascadian Poet/Scholar from B.C.

Force Field: 77 Women BC Poets

Soon after I made plans to go to Victoria, BC, for the launch of the Poems from Planet Earth anthology (see this post), I found out the launch of another anthology was happening the next day in...

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Poems from Planet Earth

As mentioned in my last post (Walking Victoria) in addition to some lovely photo opportunities and the best matcha ever, I attended the launch for a new anthology of poems made up of past readers at...

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Walking Victoria

I think it was attending the Victoria School of Writing (RIP) Summer School session for a week in July 2005 that made me aware of the Planet Earth Poetry series in Victoria, BC. That was the week I...

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Haibun de la Serna

Finishing the 83rd poem in a series of 99 haibun on Monday morning, Meredith had overheard me recording the poem and informed me I was "almost finished" with the series I have been working on for...

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Nikky Finney 1999 Interview

When I saw that Nikky Finney was coming to town for a reading/chat for Seattle Arts & Lectures (April 25, 2013), I thought it would be a good idea to find and digitize the interview we did in...

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Planet Earth Poetry Anthology

"I LOVE the Canadian side of Cascadia as it deals with poetry. In Victoria, Vancouver, Nelson and elsewhere there are retired poets constructing Mesostics, discussing Jack Spicer and Robin Blaser...

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The Mud Proposal

The Mud Proposal

Thanks to Aryanil Mukherjee and Pat Clifford, I am delighted to have work in the latest Mud Proposal. Aryanil is responsible for the Bengali poetry journal Kaurab and curates the Mud Proposal, named...

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Three Memorials for Judith Roche

On December 24, 2019, the Seattle Times published its obituary for Judith Roche. An excerpt: “My basic thing is that poetry is approaching the holy and it’s a translation of the sacred and it says...

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PoPo Interviews

PoPo Interviews

I am looking to interview at least ten postcard participants in the next few weeks to create some videos for a new PoPo website that will replace the current page on my cluttered personal site....

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Deborah Poe

How does one make literary art about this time in history that avoids rhetoric and facile political positioning in this era of the spectacle? How does one avoid being consumed by the simultaneous collapse of so many systems — some being eviscerated by people in positions designed to protect such systems?  Deborah Poe has some idea based on her submission to the upcoming anthology Winter in America (Still.

Deborah is the author of several books of poetry including keep, Elements, and Our Parenthetical Ontology, as well as a novella in verse, Hélène. Her visual works–video poems and handmade book objects–have been exhibited throughout the US. She lives on stolen Coast Salish land, specifically the ancestral homeland of the Duwamish, Suquamish, Stillaguamish, and Muckleshoot People.

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Deborah Poe on "flagging the apocalypse pageantry"

by Paul E Nelson