Paul E Nelson presenting at Cascadia Poetry Festival 8, photo by Leszek Chudzinski
“Paul formally received the Mahayana precepts of Zen Buddhism in 2023, becoming a lay practitioner within the tradition, but I believe he had long lived in accord with them. His poetry, in its sensitivity, its humility, and its deep listening, embodies practice-realization — the understanding that practice and awakening are not separate. His writing was his zazen. This collection, FLEXIBLE MIND, is more than a book. It is a continuation of that practice. A testament to a man who lives by attention, who bows to language but does not cling to it, who seeks what lays beyond words by walking straight into them.”– Kosho Itagaki, Soto Zen Priest
Up a Creek with Brett Nunn
Today I found out I will require bilateral laparoscopic inguinal hernia surgery. Ugh. Not a fan of surgery but quickly becoming a fan of Project Access NW, which has determined that I am eligible...
Dementia Blog – Susan Schultz
Susan Schultz is a poet, critic, publisher and Professor of English at the University of Hawaii at Manoa. Her focus is modern and contemporary poetry, American literature, and creative writing. She...
Dominick DellaSala on Temperate and Boreal Rainforests (interview)
Dominick DellaSala, author of Temperate and Boreal Rainforests of the World, did a presentation on his book at Doe Bay Resort on May 8, 2011. We caught up with him after his presentation and...
Jerome Rothenberg Nov 2001 Interview
In the first part of a November 2001 interview, Jerome Rothenberg discussed his early introduction to the poetry of Federico Garcia Lorca, Lorca's use of the word duende, a kind of Spanish troll or...
59. Sisuitl (Si’sEyul)
I read this poem Tuesday at the Wedgewood Ale House to good response and so am posting it here. Yes, it's another in the Haibun de la Serna series, of which I envision 99. It's also part of the...
The Last of the 2012 American Sentences
It is one of the worst feelings I ever get and most poets have experienced it at one time or another. The lost poem. I remember Ed Dorn at the Spokane Library less than a year before his death...
Help Julian Priester
Julian and his wife Nashira Priester need your help. This world class Jazz musician and his poet wife have been it with financial troubles and have lost their house. This was posted on Facebook: ...
PageBoy Magazine Interview
We'd planned to interview Thomas Walton about the publication he edits and publishes, Pageboy Magazine, as well as contributor Sierra Nelson not long before it was deemed BEST LITERARY MAGAZINE IN...
Five Alarms Saturday, Jan 26, Greenwood
The 3rd Five Alarms Lit Crawl happens Saturday, January 26, 2013, in Greenwood, featuring: Aaron Kokorowski, Amy Billharz, Morris Stegosaurus, Aaron Kemply, Arlene Kim, Theo Dzielak, Molly Mac,...
Anne Waldman – Vow to Poetry (2002 Interview)
Anne Waldman took time to chat in April 2002, about her book Vow to Poetry: Essays, Interviews and Manifestos. In the opening segment, she spoke about her obsession with lineage, legacy, the...
Happiness & Spirituality
my friend Jason Wirth is producing a couple of worthwhile events: Happiness & Spirituality How the concept of Gross National Happiness intertwines with Vajrayana Buddhism Lopen Gem Dorji (Gembo)...
The Cards I Got (APPF13 2019)
I have been holding off on taking and posting my annual picture of poetry postcards received during this year's August Poetry Postcard Fest. If I counted right, I got 62 cards: This is a shot taken...
SPLAB @ &Now Cascadia by Anthology
I am delighted to be part of the &Now Conference, which is being staged at UW-Bothell, September 19-22, 2019, with a rather remarkable collection of "experimental" poets.Not sure what word is...
How does one make literary art about this time in history that avoids rhetoric and facile political positioning in this era of the spectacle? How does one avoid being consumed by the simultaneous collapse of so many systems — some being eviscerated by people in positions designed to protect such systems? Deborah Poe has some idea based on her submission to the upcoming anthology Winter in America (Still.
Deborah is the author of several books of poetry including keep, Elements, and Our Parenthetical Ontology, as well as a novella in verse, Hélène. Her visual works–video poems and handmade book objects–have been exhibited throughout the US. She lives on stolen Coast Salish land, specifically the ancestral homeland of the Duwamish, Suquamish, Stillaguamish, and Muckleshoot People.
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