Paul E Nelson presenting at Cascadia Poetry Festival 8, photo by Leszek Chudzinski
“Paul formally received the Mahayana precepts of Zen Buddhism in 2023, becoming a lay practitioner within the tradition, but I believe he had long lived in accord with them. His poetry, in its sensitivity, its humility, and its deep listening, embodies practice-realization — the understanding that practice and awakening are not separate. His writing was his zazen. This collection, FLEXIBLE MIND, is more than a book. It is a continuation of that practice. A testament to a man who lives by attention, who bows to language but does not cling to it, who seeks what lays beyond words by walking straight into them.”– Kosho Itagaki, Soto Zen Priest
Willie Smith on Spider F&^k and other stories from Nothing Doing
Willie Smith got his B.A. at Reed College (graduating Phi Beta Kappa) and is the author of Nothing Doing, a book that he claims is fictional. In an interview recorded at his Beacon Hill home on...
Happy 80th Michael McClure
Michael McClure turns 80 today, October 20, 2012. A leading USAmerican poet, playwright, essayist and novelist, he was born in Kansas, but spent some of his formative years in Seattle and is...
Haibun in Hambone
I can't tell you how honored I am to have five (5!) of my Haibun de la Serna poems published in the brand new edition of Hambone 20. Nate Mackey is the editor and this magazine has been publishing...
Nate Mackey Interview, Part 4
In part four of my August 24, 2012 interview with poet Nate Mackey, he talks about his practice of 2nd takes in his books Splay Anthem and Nod House, the allusions to Jazz suggested by such a...
Lit Crawl Thursday, Oct 18, 2012
Yes, yet another Lit Crawl, but this one is HUGE. On Thursday, Oct. 18, Lit Crawl Seattle kicks off City Arts Fest with 17 FREE events throughout Capitol Hill with 60+ readers and performers,...
Rainforest Writing Retreat, Part 2
Tuesday, October 7, I was almost set for starting the literary portion of my writing retreat. (For my first post on the rainforest writing retreat, click here.) Side trips to the Elwha Dam removal...
71. The Ambassador From Bakersfield
(Click on the poem to get the full text as a pdf.)
427. – Not Yet Muddy
427. to Ramon Hildreth, SeaTac, WA – Not Yet Muddy 9.26.12 Medora, ND, Ramon – Loaded w/ egg-salad and roast beast sangwiches, pass Oink Joint Rd. & Peace Pipe Vista to a ...
Rainforest Writing Retreat
Ever since I have essentially become a stay-at-home Dad for Ella Roque, I have been plotting opportunities to get away to write more of Pig War & Other Songs of Cascadia, as well as essays in...
Nate Mackey Interview, Part 3
I interviewed Nate Mackey a second time on August 24, 2012, via Skype. The first two segments of that interview are summarized here. In segment three, our discussion of his latest book Nod House...
End of the World Anthology
I'm delighted to have work in a new anthology entitled The End of the World Project. It was compiled by Richard Lopez, John Bloomberg-Rissman and T.C. Marshall and is so huge that it takes two books...
Interview Workshop at Open Books
Interviewing as Inspiration, Research, and Documentation with Paul Nelson March 10 @ 10:00 am - 12:00 pm, Open Books, 2414 N. 45th, Seattle. To celebrate the 25th anniversary of SPLAB (Seattle...
2.20.2019 Peter Levitt Interview
What joy in the good fortune of getting to interview Peter Levitt at his Salt Spring Island (BC) home. To see Cusheon Lake frozen so solidly that Peter reports there were people playing hockey on...
The interview I conducted with Sam O’Hana, a Ph.D. student at CUNY, is immensely critical and immensely validating for the work we do at the Cascadia Poetics Lab. At its core, the discussion is about whether writing is for people of means, or if it can be people who have skill and something to say. It means the literary gatekeepers have failed us and have a role in perpetuating neoliberalism in North America which has paved the way for authoritarianism. The interview is available as a podcast here and as a YouTube video here. Below, I have pasted in the transcript and here is my introduction to Sam O’Hana and his topic.