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PAUL E NELSON

Cascadia Poetry Festival 8 Paul E Nelson at the microphone

Paul E Nelson presenting at Cascadia Poetry Festival 8, photo by Leszek Chudzinski

Paul Nelson’s ongoing honing of the Day Song poetry event has produced some of the most lively and consequential verse of our time. How else write about the calamities and demands and mental/emotional/political consequences of the materialist apocalypse upon us, than an ongoing poesis of awareness and participation the anti-form the Day Song provides? Truly a praxis of proprioception and of Olson’s demand to “keep it moving…
– Sharon Thesen, Cascadian Poet/Scholar from B.C.

Writing or Re-Writing

I was fascinated to see a post from one of my Facebook friends, Jim Andrews, linking to a piece in the Boston Globe about how the practice of extensive revision of one's writing is a 20th Century...

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Brian Love Update

As I posted on the SPLAB blog* last week, Brian Love, a longtime SPLAB volunteer and all-around handyman, was killed by a drunk driver on July 5th. The man accused of the crime, Floyd Gonzales, will...

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Elegy for Brian Love

An elegy for my friend Brian Love, who helped run SPLAB in Auburn 1997-2004, helped me with my syndicated public affairs radio show and was killed by a drunk driver on the morning of July 5, 2013.

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Another Postcard Bargain

I'm getting ready for the August Poetry Postcard Fest, which starts on the 27th. It's the 7th year we've done this and after seeing a link to a talk Ted Berrigan gave in 1979 on his Sonnets, I had a...

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The Tao of Postcards

The absolute tranquility is the present moment. Though it is at this moment, there is no limit to this moment, and herein is eternal delight. – Hui-nen (First published June 24, 2013) In 2000 I was...

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August Postcard Poem Fest Returns

From Brendan McBreen: Once more it is almost August! The August Poetry Postcard Project is an exercise in responding to other poets. You write a poem a day for the month of August, write it on a...

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88. Lesser Quantico

Am reading The Practice of Outside again, again from the Collected Jack Spicer so I can see what notes I made the first time I read it. (It has since been published in Robin Blaser's Collected...

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The Cards I Got (APPF13 2019)

I have been holding off on taking and posting my annual picture of poetry postcards received during this year's August Poetry Postcard Fest. If I counted right, I got 62 cards: This is a shot taken...

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SPLAB @ &Now Cascadia by Anthology

I am delighted to be part of the &Now Conference, which is being staged at UW-Bothell, September 19-22, 2019, with a rather remarkable collection of "experimental" poets.Not sure what word is...

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#APPF13 Wrapup (What I Wrote)

It seems rather overwhelming to summarize my experience as a participant of the 13th August Poetry Postcard Fest which longtime participant Terry Holzman a few years ago nicknamed PoPo and an...

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In Honor of David McCloskey “The Father of Cascadia”

David McCloskey passed away on July 3. In honor of his lifetime of work to create and spread a culture that was deeply connected to the Cascadian bioregion, Cascadian Prophets, which owes more than just its name to his work, we want to share this interview from October, 2013. Find it transcribed on our website.

To listen to the original audio of this interview, click here.

Check out more of what the Lab does here, and listen to more current and archival podcasts on Spotify or on our website.

David McCloskey

In Honor of David McCloskey "The Father of Cascadia"

by Paul E Nelson

Deborah Poe

How does one make literary art about this time in history that avoids rhetoric and facile political positioning in this era of the spectacle? How does one avoid being consumed by the simultaneous collapse of so many systems — some being eviscerated by people in positions designed to protect such systems?  Deborah Poe has some idea based on her submission to the upcoming anthology Winter in America (Still.

Deborah is the author of several books of poetry including keep, Elements, and Our Parenthetical Ontology, as well as a novella in verse, Hélène. Her visual works–video poems and handmade book objects–have been exhibited throughout the US. She lives on stolen Coast Salish land, specifically the ancestral homeland of the Duwamish, Suquamish, Stillaguamish, and Muckleshoot People.

Check out more of what the Lab does here, and listen to more current and archival podcasts on Spotify or on our website.

To get original poetry right in your mailbox this summer, check out the Poetry Postcard Fest.

Deborah Poe on "flagging the apocalypse pageantry"

by Paul E Nelson