Paul E Nelson presenting at Cascadia Poetry Festival 8, photo by Leszek Chudzinski
Paul Nelson’s ongoing honing of the Day Song poetry event has produced some of the most lively and consequential verse of our time. How else write about the calamities and demands and mental/emotional/political consequences of the materialist apocalypse upon us, than an ongoing poesis of awareness and participation the anti-form the Day Song provides? Truly a praxis of proprioception and of Olson’s demand to “keep it moving…
– Sharon Thesen, Cascadian Poet/Scholar from B.C.
56 Days of August
by Ina Roy-Faderman (Author), Paul E. Nelson (Editor), J.I. Kleinberg (Editor) Postcards are electric. I get excited just turning a rack of postcards around at the drugstore. There was a time before...
American Sentences
By Paul E Nelson This is a collection of American Sentences...A collection of 17-syllable sentences-the North American version of haiku, a form created by Allen Ginsberg-from a poet who has written...
Make it True: Poetry from Cascadia
By Paul E. Nelson A collection from poets writing from the bioregion lying west of the continental divide, spanning from Cape Mendocino in the south to Mt. Logan in the north. An attempt to deepen...
Three Friends Carousel: Tiovivo Tres Amigos
An Interview and Ten Poems Jose Kozer interview by Paul Nelson Three Friends Carousel is the transcript of an interview conducted with Neruda-prize winning poet José Kozer at his Hallendale Beach...
Organic in Cascadia: A Sequence of Energies
Poesia Organica Na Cascadia: uma Sequencia De Energias With the publication of Poesia Organica Na Cascadia: uma Sequencia De Energias (Organic in Cascadia: A Sequence of Energies), my work is now...
2021 Poetry Postcard Afterword
2021 Poetry Postcard Fest Afterword (as pdf) I so love the Poetry Postcard Fest. Each year the fest allows me to experience new depths in my own creativity. The poetry side of spontaneous...
McClure Memorial
Amy McClure sends this note: Dear Friends and Family, Looking forward to seeing you! Details are on the Eventbrite link below. Please register if you’ll attend:...
Larissa Lai Iron Goddess Interview
I was pretty stunned when Larissa Lai was the feature at Planet Earth Poetry in Victoria, BC, a few months ago. Her use of Haibun is a very dense, playful and rich language gesture, but the...
Gigs, Interviews & Postcards
So much happening. The new abnormal is near! Anarchist librarian poet Greg Bem has organized yet another of his creative, interdisciplinary events and this one is IN PUBLIC! He is apparently not...
Jeanne Heuving on Nate Mackey Destination Out
Jeanne Heuving is the editor of a fascinating new book of scholarship on one of the most important poets of our time, Nate Mackey. The book is entitled Nathaniel Mackey, Destination Out: Essays on...
Stephan Torre
One of the great joys in participating in the recent Cascadia: A Braided Land event at UBCO was meeting 84 year old Northern Cascadia poet Stephan Torre. With roots in Big Sur back in the days...
Notes for Christo Rey High School Talk on Bioregionalism
24-FEB-2025 How I got into radio. 1974, Lane Tech, cut-off record:Radio career: 1980-2026, Chicago, Baltimore, West Palm Beach, Appleton, Peoria, Seattle in 1988. Transition from D.J. to Community...
Nature Talk Release Party and Reading
I'm delighted to participate in the celebration of a new book and the expansion of a literary community organized by Greg Bem. Carbonation Press of Spokane was founded by Greg in late 2023 and this...
How does one make literary art about this time in history that avoids rhetoric and facile political positioning in this era of the spectacle? How does one avoid being consumed by the simultaneous collapse of so many systems — some being eviscerated by people in positions designed to protect such systems? Deborah Poe has some idea based on her submission to the upcoming anthology Winter in America (Still.
Deborah is the author of several books of poetry including keep, Elements, and Our Parenthetical Ontology, as well as a novella in verse, Hélène. Her visual works–video poems and handmade book objects–have been exhibited throughout the US. She lives on stolen Coast Salish land, specifically the ancestral homeland of the Duwamish, Suquamish, Stillaguamish, and Muckleshoot People.
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