Paul E Nelson presenting at Cascadia Poetry Festival 8, photo by Leszek Chudzinski
Paul Nelson’s ongoing honing of the Day Song poetry event has produced some of the most lively and consequential verse of our time. How else write about the calamities and demands and mental/emotional/political consequences of the materialist apocalypse upon us, than an ongoing poesis of awareness and participation the anti-form the Day Song provides? Truly a praxis of proprioception and of Olson’s demand to “keep it moving…
– Sharon Thesen, Cascadian Poet/Scholar from B.C.
Write On Door County Sept 2019 Residency
I'm near the end of my week-long writing residency at Write On Door County. Postcard poet Sharon Auberle tipped me off to this writing center in the part of Wisconsin that sticks into Lake Michigan....
Happiness & Spirituality
my friend Jason Wirth is producing a couple of worthwhile events: Happiness & Spirituality How the concept of Gross National Happiness intertwines with Vajrayana Buddhism Lopen Gem Dorji (Gembo)...
The Cards I Got (APPF13 2019)
I have been holding off on taking and posting my annual picture of poetry postcards received during this year's August Poetry Postcard Fest. If I counted right, I got 62 cards: This is a shot taken...
SPLAB @ &Now Cascadia by Anthology
I am delighted to be part of the &Now Conference, which is being staged at UW-Bothell, September 19-22, 2019, with a rather remarkable collection of "experimental" poets.Not sure what word is...
#APPF13 Wrapup (What I Wrote)
It seems rather overwhelming to summarize my experience as a participant of the 13th August Poetry Postcard Fest which longtime participant Terry Holzman a few years ago nicknamed PoPo and an...
The Joy of Postcards (Aug 2019 Reviews)
I titled my APPF essay for Rattle "The Joy of Postcards" but even though I was likening this activity to the subject of a famous book from the 60s, I was not far off based on some feedback from some...
Deborah Poe Interview (June 30, 2019)
Deborah Poe is the author of the poetry collections keep (from Dusie Press), the last will be stone, too (Stockport Flats), Elements (Stockport Flats), and Our Parenthetical Ontology (CustomWords),...
Interviewed by Ethelbert Miller
I was honored to be the subject of an interview by Ethelbert Miller for his weekly radio program in Washington, D.C., On The Margin. He had asked me for a copy of American Prophets months ago, set...
Subud House/Spring Street Center/Open House
I rarely write about my spiritual community, Subud, because one of Subud's cultural mores is to NOT proselytize and in practice that becomes NEVER TALK ABOUT IT, which would explain why the...
August POetry POstcard Fest 2020 (Official Call) #APPF14
The August Poetry Postcard Fest was initiated in 2007 by poets Paul Nelson and Lana Ayers. 2020 marks the 14th year of the fest and this is the official call. It is the biggest annual fundraiser for...
DaySong Miracle (Past 62)
From Greg Bem in Spokane, WA: Greetings from Spokane! I am pleased to announce the third release from Carbonation Press: Paul E. Nelson's DaySong Miracle (Past 62). This small book is available...
Interview with Bill Porter on Dancing with the Dead
Here is the video version of my March 25, 2024 interview with Bill Porter on "Dancing With the Dead: Red Pine and the Art of Translation." We talked about his life, the movie and the film which...
Zoom Interview with Nicholas Gulig on Lorine Niedecker
Imagine growing up a poet in a state like Wisconsin and having to travel to Colorado to learn about the work of Lorine Niedecker, and furthermore to have one’s own consciousness changed by...
How does one make literary art about this time in history that avoids rhetoric and facile political positioning in this era of the spectacle? How does one avoid being consumed by the simultaneous collapse of so many systems — some being eviscerated by people in positions designed to protect such systems? Deborah Poe has some idea based on her submission to the upcoming anthology Winter in America (Still.
Deborah is the author of several books of poetry including keep, Elements, and Our Parenthetical Ontology, as well as a novella in verse, Hélène. Her visual works–video poems and handmade book objects–have been exhibited throughout the US. She lives on stolen Coast Salish land, specifically the ancestral homeland of the Duwamish, Suquamish, Stillaguamish, and Muckleshoot People.
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