Paul E Nelson presenting at Cascadia Poetry Festival 8, photo by Leszek Chudzinski
Paul Nelson’s ongoing honing of the Day Song poetry event has produced some of the most lively and consequential verse of our time. How else write about the calamities and demands and mental/emotional/political consequences of the materialist apocalypse upon us, than an ongoing poesis of awareness and participation the anti-form the Day Song provides? Truly a praxis of proprioception and of Olson’s demand to “keep it moving…
– Sharon Thesen, Cascadian Poet/Scholar from B.C.
National Poetry Month
April is National Poetry Month and Carolyne Wright has organized a fine group of local poets to celebrate on April 23rd from 6-8pm at legendary University Books in Seattle: Join us for an epic...
One Year After Sam Hamill’s Death
Sam Hamill left this earthly plane on April 14, 2018, and plans are underway to recognize that anniversary in a private and low-key ceremony, along with sushi and saké after, just as Sam would have...
Zen, Bioregionalism & Poetry
Upcoming poetry events are for people who are interested in the intersection of poetry and Zen and poetry and bioregionalism. April 11, at 7:30pm, the Seattle University Eco-Sangha presents Norman...
Interview on Spokane Public Radio
I had the good fortune of being interviewed in Spokane on my way to gigs in Billings, Montana. Chris Maccini of Spokane Public Radio did his homework and asked me about American Prophets, my poetry...
Off-Site @ AWP
The joy of hanging out with poets and NOT having to attend AWP!!! Thank you Knox Gardner for lining up this with your humble narrator and other SPLAB poets: Saturday, March 30, 2019 at 7:30 PM – 12M...
End of the World Anthology
I'm delighted to have work in a new anthology entitled The End of the World Project. It was compiled by Richard Lopez, John Bloomberg-Rissman and T.C. Marshall and is so huge that it takes two books...
Interview Workshop at Open Books
Interviewing as Inspiration, Research, and Documentation with Paul Nelson March 10 @ 10:00 am - 12:00 pm, Open Books, 2414 N. 45th, Seattle. To celebrate the 25th anniversary of SPLAB (Seattle...
2.20.2019 Peter Levitt Interview
What joy in the good fortune of getting to interview Peter Levitt at his Salt Spring Island (BC) home. To see Cusheon Lake frozen so solidly that Peter reports there were people playing hockey on...
Poetry Warrior
I am delighted to be part of the Dispatches from the Poetry Wars website. I have great respect and admiration for the main co-conspirators, Michael Boughn and Kent Johnson and they have me in good...
Vancouver Island Events
Please be sure to scroll down on this one, otherwise you'd think I am wanted for something: But it's a nice article by Josef Jacobson: Click on either image to see the piece. Other gigs on the...
Poetics as Cosmology at Holden Village
Thanks to poetry hermano Raul Sanchez, I'll be facilitating my Poetics as Cosmology this summer in the North Cascades and you are welcome to hang out. The place is Holden Village. "Over the course...
Tessa Hulls Interview (Feeding Ghosts)
Tessa Hulls and I met when she donated a poster for the 2013 edition of the Allen Ginsberg Open Mic Poetry marathon. On February 20, 2024 I caught up with her on Zoom to discuss her first book, a...
Article on Cascadia by a Writer in London
The notion of bioregionalism and Cascadia has spread at least to London. I was interviewed on the subject of Cascadia by Gus Mitchell, a London-based free lance writer and was delighted to see my...
How does one make literary art about this time in history that avoids rhetoric and facile political positioning in this era of the spectacle? How does one avoid being consumed by the simultaneous collapse of so many systems — some being eviscerated by people in positions designed to protect such systems? Deborah Poe has some idea based on her submission to the upcoming anthology Winter in America (Still.
Deborah is the author of several books of poetry including keep, Elements, and Our Parenthetical Ontology, as well as a novella in verse, Hélène. Her visual works–video poems and handmade book objects–have been exhibited throughout the US. She lives on stolen Coast Salish land, specifically the ancestral homeland of the Duwamish, Suquamish, Stillaguamish, and Muckleshoot People.
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