Paul E Nelson presenting at Cascadia Poetry Festival 8, photo by Leszek Chudzinski
“Paul formally received the Mahayana precepts of Zen Buddhism in 2023, becoming a lay practitioner within the tradition, but I believe he had long lived in accord with them. His poetry, in its sensitivity, its humility, and its deep listening, embodies practice-realization — the understanding that practice and awakening are not separate. His writing was his zazen. This collection, FLEXIBLE MIND, is more than a book. It is a continuation of that practice. A testament to a man who lives by attention, who bows to language but does not cling to it, who seeks what lays beyond words by walking straight into them.”– Kosho Itagaki, Soto Zen Priest
Rob Lewis and The Silence of Vanishing Things
Is a planetary ecological collapse underway? Yep. Does anyone care? At least Rob Lewis does. He wrote a book of poems and essays about the climate crisis and suggests that a shift away from...
Some End/West Broadway Bowering/Stanley Book Launch
I got this in the mail last week from New Star Books of Vancouver, BC: Actually, it was addressed from Point Roberts, WA, a little strip of land, a peninsula actually, south of the 49th parallel,...
Bay Area Postcard Readings!
The launch of 56 Days of August: Poetry Postcards, an anthology that was ten years in the making is finally happening in the Bay Area THIS WEEKEND! Ina Roy-Faderman has worked tirelessly to help...
Ellensburg Poetry Prowl
I am delighted to be part of the Ellensburg Poetry Prowl, April 7, 2018, in downtown Goatburg. (Does anyone call it that anymore?) A tribute to Langston Hughes, there are three days of events, but...
Lewis MacAdams Interview
In the effort to catalog all the programs done during the days in which I syndicated a weekly public affairs radio program, the latest gem I have re-discovered is a 2001 interview with poet Lewis...
C&P March 14 w/ John Olson
A participant in an open mic recently mentioned how important such spaces are now in our culture, with such political unrest and division. She could have also mentioned the ecological crisis we're...
Ellensburg Poetry Prowl, Postcards in Bay Area
Upcoming gig alert! 11am, March 24, 2018: Book Passage, Ferry Building, San Francisco, CA. Join us for a celebration of the publication of 56 Days of August (Five Oaks Press) – readers will include...
Andrew Schelling in Cascadia
In the process of organizing the audio archives of SPLAB, (thank you 4Culture) and those that pre-date the December 13, 1993 founding of the non-profit organization, I came across the audio of Anne...
Choral Poetry – Jack and Adelle Foley
Jack and Adelle Foley are poets from Oakland, California, who performed at the 3rd annual Super Bowl of Poetry at the Northwest SPokenword LAB in Auburn, Washington, in February 2000. It was one of...
Charles Potts Interview
A 2017 interview conducted with Charles Potts by your humble narrator has been published online by Rain Taxi: https://www.raintaxi.com/a-path-through-the-wilderness-an-interview-with-charles-potts/ ...
732. Varney’s Nada
I have a practice of reading my journal entry from the same day of the previous year and love when poems I'd forgotten I'd written show up and still have some potency. Sam always warned me not to be...
Sam @ 80 (w/ audio from Doe Bay reading)
Sam Hamill would have been 80 today, May 9, 2023. He has been gone 5 years now, but he is in my head daily. Anytime I drink saké, eat sushi, look at my altar and often when I am engaged in reading...
Last of the Brenda Hillman Workshops
It has been a magical 10 week ride so far, examining Brenda Hillman's new book In a Few Minutes Before Later. In the last five week workshop we'll look at the last third of the book, examine...
How does one make literary art about this time in history that avoids rhetoric and facile political positioning in this era of the spectacle? How does one avoid being consumed by the simultaneous collapse of so many systems — some being eviscerated by people in positions designed to protect such systems? Deborah Poe has some idea based on her submission to the upcoming anthology Winter in America (Still.
Deborah is the author of several books of poetry including keep, Elements, and Our Parenthetical Ontology, as well as a novella in verse, Hélène. Her visual works–video poems and handmade book objects–have been exhibited throughout the US. She lives on stolen Coast Salish land, specifically the ancestral homeland of the Duwamish, Suquamish, Stillaguamish, and Muckleshoot People.
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