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PAUL E NELSON

Cascadia Poetry Festival 8 Paul E Nelson at the microphone

Paul E Nelson presenting at Cascadia Poetry Festival 8, photo by Leszek Chudzinski

Paul Nelson’s ongoing honing of the Day Song poetry event has produced some of the most lively and consequential verse of our time. How else write about the calamities and demands and mental/emotional/political consequences of the materialist apocalypse upon us, than an ongoing poesis of awareness and participation the anti-form the Day Song provides? Truly a praxis of proprioception and of Olson’s demand to “keep it moving…
– Sharon Thesen, Cascadian Poet/Scholar from B.C.

Birthday Anagram for Solihin Thom

I have a YUGE amount of gratitude for my current state of health and joy to the man who suggested I investigate the spiritual practice of the Latihan Kejiwaan of Subud, Solihin Thom, who celebrates...

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Left, Egalitarian Validation

How do you know if someone is a vegan? They'll tell you. I'm not a vegan, but when I first heard the phrase Left Egalitarian, it registered as quite accurate to describe my politics. (I've linked to...

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Postcards for Peace

I participated in the first World Peace Poets postcard project this past February, after being invited by Carla Shafer. Rather than post every poem I wrote, I have put together a page which will...

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Bioregional Cultural Investigation

We do what we know before we know what we do. -  Charles Olson. Little did I know in 2012 that the first Cascadia Poetry Festival would be the start of a 20 year bioregional cultural investigation...

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Seattle Not So Great

Great article by Danny Westneat (former Valley Daily News columnist) about whether Seattle is great. In the article, he refers to an Atlantic magazine article entitled: Eleven Signs a City Will...

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Beached America (Bob Koehler)

Bob Koehler is a Chicago-based Peace Journalist who has written an op-ed for Buzzflash at Truthout entitled: "When a Nation Has Lost Its Soul, Its Politics Become a Tacky TV Performance." Koehler's...

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526. Fennelity

Unlike Chicory, I’ve been eating fennel the last couple of summers. The intensity of this herb is astounding and a wonderful taste that one gets in Cascadia summer. I heard it grows wild north of...

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AG/BS Wait Till I’m Dead

An East Coast Jewish Democratic Socialist is running for President of the U.S. and it would make sense that there is a connection with Allen Ginsberg, who died in 1997 and who I interviewed in 1994....

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1992 Peter Berg Interview

I was a rookie interviewer in 1992, when I had the good fortune to be able to interview Peter Berg of the Planet Drum Foundation about the concept of bioregionalism. When I listen back to the audio,...

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Poems for Peace

Poems for Peace

Under the auspices of my position as Chair of my spiritual community's National Cultural Wing, SICA-USA, for 15 months (& two years before that as Secretary) I have been involved in creating...

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SICA-USA Poems for Peace

SICA-USA Poems for Peace

Andrew Hall and Adelia MacWilliam are two people helping me curate a series of online readings that were conceived of by SICA, the Subud International Cultural...

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Deborah Poe

How does one make literary art about this time in history that avoids rhetoric and facile political positioning in this era of the spectacle? How does one avoid being consumed by the simultaneous collapse of so many systems — some being eviscerated by people in positions designed to protect such systems?  Deborah Poe has some idea based on her submission to the upcoming anthology Winter in America (Still.

Deborah is the author of several books of poetry including keep, Elements, and Our Parenthetical Ontology, as well as a novella in verse, Hélène. Her visual works–video poems and handmade book objects–have been exhibited throughout the US. She lives on stolen Coast Salish land, specifically the ancestral homeland of the Duwamish, Suquamish, Stillaguamish, and Muckleshoot People.

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Deborah Poe on "flagging the apocalypse pageantry"

by Paul E Nelson