Paul E Nelson presenting at Cascadia Poetry Festival 8, photo by Leszek Chudzinski
Paul Nelson’s ongoing honing of the Day Song poetry event has produced some of the most lively and consequential verse of our time. How else write about the calamities and demands and mental/emotional/political consequences of the materialist apocalypse upon us, than an ongoing poesis of awareness and participation the anti-form the Day Song provides? Truly a praxis of proprioception and of Olson’s demand to “keep it moving…
– Sharon Thesen, Cascadian Poet/Scholar from B.C.
27. Hanging Leaves
Am working on a new series of poems, a couple of which I've read out at local open mics. Not ready yet to talk about them lest their shape be bent by what someone might say, but am up tonight in...
515. Other Demons
In this latest 2015 August Poetry Postcard poem, again a great Kyger quote which makes me think of field poetics, a subject her friend Robert Duncan had a thing or two to say about. Also a reference...
EBSN4 Report – Brussels
I'm back from an epic trip to Brussels, Belgium, where I attended the 4th European Beat Studies Network Conference. I had a chance to interview Polina McKay, one of the co-founders of the Network....
American Sentences at Andaluz! Nov 8
Hey, I am re-posting this with a sincere request to you to consider attending this event and hang out after somewhere in Columbia City. This book has been 14 years in the making & the form,...
Giverny & Rouen Cathedral
I am honored to have been included in the 4th European Beat Studies Network conference, which is happening now in Brussels, Belgium. I was last in Brussels in 2010 for the Tools of the Sacred...
514. Supple in Seattle
More Salish art and a poem resulting from what the postcard fest instructions suggested since year 1, that is “something of the here and now” should/could get into the poem. That’s what postcards...
George Bowering – My Darling Nellie Grey
George Bowering, (born December 1, 1935) was Canada's first Parliamentary Poet Laureate, is author of more than 90 books, and is the best-known of TISH group of poets based in Vancouver in the early...
513. Summer Desk Avalanche
The latest poem from the 2015 August Poetry Postcard Fest. (See other poems here.) A Georgia O’Keeffe card and great epigraph from Joanne Kyger, the composition of which affected the content. (Wait...
Notes for Personal Myth and Genius Loci
(Workshop given at Tacoma Poetry Festival, Saturday, October 17, 2015) Personal Myth, Place, Genius Loci – Paul Nelson What is the myth you are living? Your Personal Mythology, relationship to place...
Divorce and Yoga Windows
After 1,909 days of marriage to Meredith A. (Sedlachek) Nelson, our union ended with a whimper in the King County Courthouse on Thursday (Oct 15, 2015) followed by a Cajun Meal at Marcela's Creole...
RIP Pat Martino (Observer of environment, including guitar)
Thirteen months ago I started facilitating workshops again and I never knew how much joy and inspiration could come from engaging people at a deep level via Zoom poetry workshops. And before I get...
Beat Breath for EBSN
I am delighted to continue my association with the European Beat Studies Network again this Sunday, as part of their 2021 Zoom conference. I am also delighted to present on the topic of Beat Breath...
Seriality (A 2022 Workshop:
In this workshop we take the methods and the organismic stance toward poetics (& life) and continue to investigate how to deepen one’s own work and life through spontaneous writing, rituals,...
How does one make literary art about this time in history that avoids rhetoric and facile political positioning in this era of the spectacle? How does one avoid being consumed by the simultaneous collapse of so many systems — some being eviscerated by people in positions designed to protect such systems? Deborah Poe has some idea based on her submission to the upcoming anthology Winter in America (Still.
Deborah is the author of several books of poetry including keep, Elements, and Our Parenthetical Ontology, as well as a novella in verse, Hélène. Her visual works–video poems and handmade book objects–have been exhibited throughout the US. She lives on stolen Coast Salish land, specifically the ancestral homeland of the Duwamish, Suquamish, Stillaguamish, and Muckleshoot People.
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