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PAUL E NELSON

Cascadia Poetry Festival 8 Paul E Nelson at the microphone

Paul E Nelson presenting at Cascadia Poetry Festival 8, photo by Leszek Chudzinski

Paul Nelson’s ongoing honing of the Day Song poetry event has produced some of the most lively and consequential verse of our time. How else write about the calamities and demands and mental/emotional/political consequences of the materialist apocalypse upon us, than an ongoing poesis of awareness and participation the anti-form the Day Song provides? Truly a praxis of proprioception and of Olson’s demand to “keep it moving…
– Sharon Thesen, Cascadian Poet/Scholar from B.C.

After The Japanese 69-72

The poems after more than a year now, seem so out of place when viewed from this "heat wave" point of view. (84 now as I write, which is over 78, the temp at which Seattleites tend to gripe.) And...

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Amalio Madueño in Taos

The purpose of my recent (massive) road trip to the SW and back was to visit Amalio Madueño, who has lived there since the early 90s. I met him in the late 90s when I attended three consecutive...

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Duwamish Revealed

Ever since Greg Bem arrived in Seattle from Philadelphia he has been a literary dynamo, presenting and participating in events that are rich in imagination, well-conceived and have added depth to...

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Cascadia to Taos

OK, I'm back. It was 4,167 miles in Que (my Honda) to Portland, Boise (via John Day River watershed in Oregon), to Moab, Grand Junction, CO, Denver, Taos, Quemado, NM, Phelan, CA, Lancaster, CA,...

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ATJ 65-68

I love this notion of pre-bedtime suggestions. I have been doing that the last few months, or more based on the latest poems to be posted here from the ongoing series After The Japanese.  I have...

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50 Days til Postcards

I am starting to get emails about the August Poetry Postcard Fest. Questions like: 1) Is the fest on this year? (Yes). 2) Can you sign me up now? (No). 3) What are the main changes this year? (This...

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Wildcrafting Seward Park

You think of the term "gardener" and something mild is evoked, perhaps an older person, but use the term "wildcrafter" and something subversive is suggested, perhaps with links to paganism. Yet...

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Cascadia Dialog

The discussion I'd hoped for after the first and second Cascadia Poetry Festivals, is beginning to manifest in the wake of the 3rd iteration of the fest and the first in Canada. (Nanaimo, B.C. of...

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2021 Poetry Postcard Afterword

2021 Poetry Postcard Afterword

2021 Poetry Postcard Fest Afterword (as pdf) I so love the Poetry Postcard Fest. Each year the fest allows me to experience new depths in my own creativity. The poetry side of spontaneous...

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McClure Memorial

McClure Memorial

Amy McClure sends this note: Dear Friends and Family, Looking forward to seeing you! Details are on the Eventbrite link below. Please register if you’ll attend:...

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Deborah Poe

How does one make literary art about this time in history that avoids rhetoric and facile political positioning in this era of the spectacle? How does one avoid being consumed by the simultaneous collapse of so many systems — some being eviscerated by people in positions designed to protect such systems?  Deborah Poe has some idea based on her submission to the upcoming anthology Winter in America (Still.

Deborah is the author of several books of poetry including keep, Elements, and Our Parenthetical Ontology, as well as a novella in verse, Hélène. Her visual works–video poems and handmade book objects–have been exhibited throughout the US. She lives on stolen Coast Salish land, specifically the ancestral homeland of the Duwamish, Suquamish, Stillaguamish, and Muckleshoot People.

Check out more of what the Lab does here, and listen to more current and archival podcasts on Spotify or on our website.

To get original poetry right in your mailbox this summer, check out the Poetry Postcard Fest.

Deborah Poe on "flagging the apocalypse pageantry"

by Paul E Nelson