Paul E Nelson presenting at Cascadia Poetry Festival 8, photo by Leszek Chudzinski
Paul Nelson’s ongoing honing of the Day Song poetry event has produced some of the most lively and consequential verse of our time. How else write about the calamities and demands and mental/emotional/political consequences of the materialist apocalypse upon us, than an ongoing poesis of awareness and participation the anti-form the Day Song provides? Truly a praxis of proprioception and of Olson’s demand to “keep it moving…
– Sharon Thesen, Cascadian Poet/Scholar from B.C.
498. Depth Untended
Sam Hamill on Denise Levertov
Amalio Madueño, the great Taos poet whom I met while attending the legendary Taos Poetry Circus for three years in the late 90s, came to Seattle Labor Day weekend to attend Sam Hamill's book release...
497. Levertov Butterfly Nation
Not too many postcard poems from 2014 left. (Whew!) This one features another Germán Montalvo image and is an homage to Denise Levertov. Long live the organic! (Well, until it decomposes.) A link to...
496. The Occasional Chicharrón
496. The Occasional Chicharrón has more Congress and Puebla reflections, another reference to Vargas Lugo’s butterfly nation flags and the impending USAmerican football season, the advent of which...
97. Clues From Hell
Part of my journal practice is to read the journal entry from the same day of the previous year. A year ago I was ending my residency at The Lake, the last home of Morris Graves. The Morris Graves...
Animating Cascadia Western Lit Conference Notes
I am set to leave for Victoria on the Clipper and make a presentation Thursday morning at the Western Literature Association's annual conference on a panel with Andy Meyer and Nadine Maestas. They...
The Great Columbia City Dog Shit Debate
It's fascinating to see what hits a nerve with people in our internet age. Seems like days have passed, but it was only yesterday that a neighbor posted to the Columbia City neighborhood Facebook...
A Time Before Slaughter
Some Slaughter news. You may be aware that my publisher, Apprentice House, is the only student-run college press in the U.S. There are now four different classes students at Loyola of Maryland can...
495. Hazards
494. Momentarily Non-Local
494. Momentarily Non-Local is a sort of Levertov meets Whitman meets the notion of multiple selves. Sam Hamill says I am a “man of a thousand faces” and at least that many selves. Again Cholula...
A Sequence of Energies
The organizing topic for the next workshop I will facilitate comes from a notion of Robin Blaser's about serial form being a: "Sequence of Energies." In this workshop we take the methods and the...
For Chick Corea
https://www.rollingstone.com/music/music-news/chick-corea-obit-1127283/ “Nobody was more open, more finely tuned to the moment…” quote from John Mayer, Rolling Stone obituary.
Andrew Schelling Interview (The Facts at Dog Tank Spring)
I have known Andrew Schelling since he and Anne Waldman visited the original SPLAB in Auburn in 1997, giving a reading there 6 days after their dear friend Allen Ginsberg died. I have interviewed...
How does one make literary art about this time in history that avoids rhetoric and facile political positioning in this era of the spectacle? How does one avoid being consumed by the simultaneous collapse of so many systems — some being eviscerated by people in positions designed to protect such systems? Deborah Poe has some idea based on her submission to the upcoming anthology Winter in America (Still.
Deborah is the author of several books of poetry including keep, Elements, and Our Parenthetical Ontology, as well as a novella in verse, Hélène. Her visual works–video poems and handmade book objects–have been exhibited throughout the US. She lives on stolen Coast Salish land, specifically the ancestral homeland of the Duwamish, Suquamish, Stillaguamish, and Muckleshoot People.
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