Paul E Nelson presenting at Cascadia Poetry Festival 8, photo by Leszek Chudzinski
Paul Nelson’s ongoing honing of the Day Song poetry event has produced some of the most lively and consequential verse of our time. How else write about the calamities and demands and mental/emotional/political consequences of the materialist apocalypse upon us, than an ongoing poesis of awareness and participation the anti-form the Day Song provides? Truly a praxis of proprioception and of Olson’s demand to “keep it moving…
– Sharon Thesen, Cascadian Poet/Scholar from B.C.
IndieGoGo for Cascadia Poetry Fest
We're starting a crowd-sourcing campaign! https://www.indiegogo.com/projects/cascadia-poetry-festival The 2nd Cascadia Poetry Festival at Seattle U and Spring Street Center May 1-4, 2014, is the...
Zappa, Dead at 17
Zappa came into my life in the middle of 1997 and we estimated his birthday at April 1, 1997. He was a remarkable cat. He had to have been to live with me for almost 17 years. My oldest daughter...
Warning: CA Conrad Trigger Warnings
I read with some amusement poet CA Conrad's Facebook status complaining about a request that he offer "Trigger Warnings" before he gives a poetry reading. The update: Of course smart ass that I am,...
Notes On Gone South
I was given a charge by Michael McClure when I started my graduate work as an independent study student in 2004. He said to not limit my search to the U.S. Taking his advice turned me on to poets...
Seattle, Cascadia “Last Stronghold for Spiritual Medicine”
The man known by many as Beaver Chief came from a long line of Indian Doctors. In this interview I did with Beaver Chief, recorded in August 1998, he discussed his incarceration, his belief that the...
Into the Open: A Way Forward for Cascadia Poetry
I’m still thinking about the notion of how Seattle, with its strong commitment to reading and literacy, has never birthed an innovative movement in writing. In my last post I wrote:Seattle has been...
Seattle Nice and Cascadia Culture
With the AWP Conference just concluded in Seattle, I had many opportunities to see my home through the eyes of others, be a guide to the best of what's here, the cultural mores and to even feel...
An Army of Lovers (Spahr, Buuck)
I was chatting with Vancouver poet George Stanley about what he considered innovative in contemporary poetry. Without hesitation he said the book An Army of Lovers by Juliana Spahr and David...
Cascadia and Feminism
The subject of Feminism has been coming up in recent weeks. My interview with Daphne Marlatt touched on it, as she has organized Feminist conferences thirty years ago and identifies as a Feminist....
Early 2014 American Sentences
The first harvest of the new year, my fourteenth with a daily practice of writing one 17 syllable poem. More on American Sentences elsewhere on this site, but for now, a few from 2014: 1.3.14 - A...
The Art of the Blurb
I have been asked on occasion to write blurbs for friends and acquaintances and, like any other form of writing, it takes some practice. The first thing is to learn what NOT to blurb. Really, if it...
POPO Birthday Bounty
I'm a little stunned by the amount of birthday wishes I am getting for my 59th and it seems a perfect day to share THE CARDS I GOT. Each year I create a photo or video of postcards I have received...
COVID-19 Sonnet
Since the beginning of 2019 I have been writing "prose sonnets" Matt Trease calls them. 14 line prose poems often with an epigraph and sometimes three. I saw the form first in the work of Jack...
How does one make literary art about this time in history that avoids rhetoric and facile political positioning in this era of the spectacle? How does one avoid being consumed by the simultaneous collapse of so many systems — some being eviscerated by people in positions designed to protect such systems? Deborah Poe has some idea based on her submission to the upcoming anthology Winter in America (Still.
Deborah is the author of several books of poetry including keep, Elements, and Our Parenthetical Ontology, as well as a novella in verse, Hélène. Her visual works–video poems and handmade book objects–have been exhibited throughout the US. She lives on stolen Coast Salish land, specifically the ancestral homeland of the Duwamish, Suquamish, Stillaguamish, and Muckleshoot People.
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