Paul E Nelson presenting at Cascadia Poetry Festival 8, photo by Leszek Chudzinski
“Paul formally received the Mahayana precepts of Zen Buddhism in 2023, becoming a lay practitioner within the tradition, but I believe he had long lived in accord with them. His poetry, in its sensitivity, its humility, and its deep listening, embodies practice-realization — the understanding that practice and awakening are not separate. His writing was his zazen. This collection, FLEXIBLE MIND, is more than a book. It is a continuation of that practice. A testament to a man who lives by attention, who bows to language but does not cling to it, who seeks what lays beyond words by walking straight into them.”– Kosho Itagaki, Soto Zen Priest
Community Self Reliance (Michael Shuman)
The seeds for a bioregionalist perspective in me were planted by the late Peter Berg of the Planet Drum Foundation during an interview I conducted around 1993, but the interview I am posting today...
Habib Audio, Interview and Postcards
My posts on the August 2013 Seattle visit of Morrocan poet and Beat scholar El Habib Louai were quite long, (archived here) so I am creating this post in the hopes that viewers of this blog will...
All 2013 Postcards
I have posted all my 2013 POstcard POems in one spot. See: https://wp.me/P1Xnkd-1h7. For more on the fest, see: https://poetrypostcards.blogspot.com/ For the postcard fest Facebook...
A Little History: The Deeply Personal as Political
(This essay was recently published in Zen Monster.) (download pdf for best formatting) A Little History: The Deeply Personal as Political (Some notes on a book by Ammiel Alcalay) There were two...
Brenda Hillman at Open Books, Sunday 10.27.13
Brenda Hillman reads at Open Books tomorrow at 3p and I first met her at Open Books in 2010, I think it was. She has just completed her tetralogy of meditations on the elements, ending up...
93. The Fog Wet Web
Who could resist the term meteorologist Cliff Mass is using for this deeply socked-in fog situation we find ourselves cutting through here in Seattle? Fogmageddon. Not me. Combine that with the...
More on Spring & All
Open Books: Poetry in Conversation, No. 1 (pdf) I’d meant to write a blog post about the first in what promises to be a very interesting series of discussions about books of modern poetry at...
ACLU, Javier Sicilia Event
As a parent of two healthy, intelligent and beautiful daughters, I would not want to imagine the pain of having to bury one of them. I am honored to be a part of an ACLU event Saturday night which...
32. Bear Camp Road
It has been over a year that I have been attending open mic events regularly again. I once described myself as an "open mic addict" but did not realize that Red Sky Poetry Theater was an exception,...
New Pageboy + Release Party
I was delighted to get the email that alerted me to the latest edition of Seattle's Best Little Magazine (according to "The Stranger.") That my pals Greg Bem and Nadine Maestas were in it was good...
Tiramisutra
SPLAB 20 Year Bioregional Cultural Investigation
It has been the core of SPLAB's work since 2012 to engage in a bioregional cultural investigation of Cascadia. We owe a huge debt to David McCloskey's groundbreaking work, his evocative maps and...
Blue Rivers Writers Gathering
I once attend the the Blue River Writers Gathering, a biannual gathering at the H.J. Andrews Experimental Forest whose purpose, according to their website, is: to take counsel from each other and...
How does one make literary art about this time in history that avoids rhetoric and facile political positioning in this era of the spectacle? How does one avoid being consumed by the simultaneous collapse of so many systems — some being eviscerated by people in positions designed to protect such systems? Deborah Poe has some idea based on her submission to the upcoming anthology Winter in America (Still.
Deborah is the author of several books of poetry including keep, Elements, and Our Parenthetical Ontology, as well as a novella in verse, Hélène. Her visual works–video poems and handmade book objects–have been exhibited throughout the US. She lives on stolen Coast Salish land, specifically the ancestral homeland of the Duwamish, Suquamish, Stillaguamish, and Muckleshoot People.
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