Paul E Nelson presenting at Cascadia Poetry Festival 8, photo by Leszek Chudzinski
“Paul formally received the Mahayana precepts of Zen Buddhism in 2023, becoming a lay practitioner within the tradition, but I believe he had long lived in accord with them. His poetry, in its sensitivity, its humility, and its deep listening, embodies practice-realization — the understanding that practice and awakening are not separate. His writing was his zazen. This collection, FLEXIBLE MIND, is more than a book. It is a continuation of that practice. A testament to a man who lives by attention, who bows to language but does not cling to it, who seeks what lays beyond words by walking straight into them.”– Kosho Itagaki, Soto Zen Priest
June 11 Nanaimo Workshop
I have been fortunate to be able to travel to much of Cascadia. Sometimes I get to share the fruit of my research on Organic Poetry. David Fraser of Wordstorm has invited me back to Diana Krall's...
Interrupture’s Trope Opera
This email came from Doug Nufer and Interrupture. (See below). Interrupture was part of the first Puget Sound Poetry, the kick-off event of the Cascadia Poetry Festival in March 2012. They have been...
Joe Friday’s Harbor
Here's the latest Pig War poem.
Lightning Round (Short Poem Fiesta)
I am not sure when we started it, or how it started, but a tradition from the old SPLAB during the first few iterations of the Ginsberg Marathon featured a Lightning Round. We'd gather in a circle...
Notes on Anuncio’s Last Love Song (Nate Mackey)
Notes on Anuncio’s Last Love Song by Nate Mackey When we last left Nate Mackey’s poetry with the book Nod House, our protagonist and his band were seeing brute sun outside the/ nod / house door....
86. Paulownia Tomentosa
I have heard much over the years about Jack Remick's writing group. That he's the feature of our 13th Ginsberg Marathon made me want to see how he works. A very informal gathering at 2P Tuesdays and...
Kwame Dawes, Youth Speaks Seattle
Last night (Friday, May 3, 2013) I attended the Kwame Dawes reading at the Seattle Asian Art Museum. I was invited twice to the event, the second invite coming a few days before and though I was not...
Latest American Sentences
I was looking at the stats for this website yesterday and stunned to find over 5,000 hits on American Sentences, by far the most popular thing here. Thank you for your interest. I write today to...
85. Soul’s Same Ol’ (Over n Over)
It doesn't take much exposure to the work of Nate Mackey to propel me into my own poetic orbit. Perhaps as a gesture for the successful publication of an interview we did last summer, he sent a copy...
Hold The House Sparrow (translation)
The haibun I wrote for Maleea Acker (84. Hold The House Sparrow) has been translated into Chinese. I got this yesterday from Denis Mair: Hello Paul, Zhang Yuan, who is studying for a PhD in...
Three Memorials for Judith Roche
On December 24, 2019, the Seattle Times published its obituary for Judith Roche. An excerpt: “My basic thing is that poetry is approaching the holy and it’s a translation of the sacred and it says...
PoPo Interviews
I am looking to interview at least ten postcard participants in the next few weeks to create some videos for a new PoPo website that will replace the current page on my cluttered personal site....
Make it True meets Medusario Review
Thank you Paul Constant, at the Seattle Review of Books, for the kind and (I think) perceptive review of an anthology I had a hand in bringing into the world. Make It True meets Medusario is indeed...
The interview I conducted with Sam O’Hana, a Ph.D. student at CUNY, is immensely critical and immensely validating for the work we do at the Cascadia Poetics Lab. At its core, the discussion is about whether writing is for people of means, or if it can be people who have skill and something to say. It means the literary gatekeepers have failed us and have a role in perpetuating neoliberalism in North America which has paved the way for authoritarianism. The interview is available as a podcast here and as a YouTube video here. Below, I have pasted in the transcript and here is my introduction to Sam O’Hana and his topic.